Listing 5783
RL Grime, G Eazy, Machine Gun Kelly, + more - Songwriting Royalties

- BMI
- Machine Gun Kelly
- RL Grime
- G Eazy
- Songwriter
- …
Offers
Sale Price
$46,675
6.32 x LTM
Listing Tools
Price Tracker
13 offers made by 3 buyers
- List price
- Closed
- Accepted
Offer History
$46,675
Seller made 2 years ago
Seller OfferSeller Counteroffer$46,400
Buyer 2 made 2 years ago
$46,700
Seller made 2 years ago
Seller Offer (Rejected)Seller Counteroffer (Rejected)$46,100
Buyer 3 made 2 years ago
$46,800
Seller made 2 years ago
Seller Offer (Rejected)Seller Counteroffer (Rejected)
About
- $7,379
- 3-Year Average
- $11,314
- Earnings Since 2014
- $69,687
- 5.85 Years
- Works Included
- 94
- $**,***
- $20,000
- Owner Last Active
- Over 30 days ago
- Term Adv 30-YearTerm Advance 30-Year
- Years Remaining
- 30.00
- Expiration Date
- Jul 31, 2054July 31, 2054
- Musical Composition
- Public Performance
- No
- Payor
The information on this listing was accurate as of the last earning statistics update on
Overview
This listing consists of tracks by popular artists including RL Grimes, Flosstradamus, G Eazy, Machine Gun Kelly, 24hrs, and more.
The catalog's earnings are primarily driven by streaming royalties, with 88% of the payments from the last 12 months and 73% of payments since 2014 coming from US and international streaming sources.
The catalog also represents a Dollar Age of 5.85 years is a positive indicator. This value suggests that the songs in the catalog have been earning for a moderate amount of time, indicating some level of stability.
Artist & Song Information
"UCLA" by RL Grime ft. 24hrs, is a standout track from his album "NOVA," released in 2018 blending hip-hop and electronic elements. The track has achieved commercial success with millions of streams across platforms like Spotify, Apple Music, and YouTube, and notable positions on electronic music charts. "UCLA" has been featured in festival sets, DJ mixes, sports events, and media, contributing to its widespread appeal and media presence. It continues to be a fan favorite at RL Grime's live performances, highlighting his ability to innovate and collaborate across genres.
"2 Much", released in 2017 by Flosstradamus ft 24hrs, is a high-energy track known for its intense beats and crowd-pleasing drops. The song has helped inspire a wave of trap and bass music, influencing other artists with its innovative style.
"Down For Me" by G-Eazy ft. 24hrs, from his 2017 EP "Step Brothers", is praised its honest lyrics, smooth production, and relatable themes of loyalty and relationship struggles, making it a fan favorite and a highlight in G-Eazy's live performances.
"Signs" by Machine Gun Kelly ft. 24hrs, from his album "Binge" released in 2018, blends hip-hop with rock elements, showcasing his versatility and evolving sound. Fans have widely embraced the track making it a standout in Machine Gun Kelly's live performances and reinforcing its status as a key track in his catalog.
Other Information
Seller Buyback Option. As a part of the purchase agreement for this asset, the seller will have the option to buy the royalty stream back from the purchaser for 150% of the sale price at any time during the two-year period after the initial sale.
Earnings Note. You’ll notice a spike in royalties in 2Q-2020, which is the result of a catch-up payment (totaling approximately $4,700) for the song “What You Like.” This payment is a result of adjusted royalties — primarily for commercial radio and internet audio along with streaming — over prior performance periods. Any future catch-up payments will be payable to the winner of this catalog.
Earnings Note. You’ll notice a spike in royalties in 3Q-2021, which is the result of an International Performance - Audio payment from Australia (totaling approximately $2,500) for the song “UCLA.” Any future, similar payments will be payable to the winner of this catalog.
Financials
Earnings By Period
Quarterly, as statements report
- Domestic
- International
- Net
Note: BMI earnings are reported for the period in which they were earned, not for the period they are paid.
Note: BMI’s Q2-2020 distribution includes non-recurring settlement payments from the Radio Music Licensing Committee (RMLC). The settlement represents a rate increase for radio performances in years 2017-2019. You can view the amount of the settlement in the Raw Data file under the “raw_music_user” column with the label: “RMLC2017 STLMNT”, “RMLC2018 STLMNT” and “RMLC2019 STLMNT.”
| Year | 2019 | 2020 | 2021 | 2022 | 2023 |
|---|---|---|---|---|---|
| Earnings | $11,280 | $18,618 | $16,141 | $10,420 | $7,379 |
Works
"UCLA" is the top-ranking song in the catalog and has consistently contributed the highest percentage to overall earnings each year over the most recent five-year period, peaking at 79% in Year 4. The song has been streamed over 212 million times on Spotify with a playlist reach of nearly 9.5 million, highlighting its popularity. It also has over 81 million views on TikTok and over 10 million views on YouTube.
"2 MUCH" contributed relatively low to overall earnings over the most recent five-year period, with the highest contribution of 9.45% in Year 1. The song has been streamed nearly 40 million times on Spotify with a playlist reach of 2.3 million.
| Works | Earnings | Share |
|---|---|---|
| Ucla | $5,690 | 77% |
| 2 Much | $589 | 8% |
| Down For Me | $231 | 3% |
| Signs | $136 | 2% |
| What You Like | $74 | 1% |
| Other | $659 | 9% |
Income Types
| Income Types | Earnings | Share |
|---|---|---|
| Performance | $7,379 | 100% |
Sources
US Streaming constitutes a significant portion of the overall earnings, contributing to more than half of the overall revenue in the last two years.
International streaming has shown significant growth over the past five years with a Compound Annual Growth Rate (CAGR) of 26%. Despite a dip in Year 4 and Year 5, the category has maintained a relatively high earnings contribution, peaking at 49% in Year 3.
Live performances saw a massive increase in the most recent year, but overall make up a small portion of the overall earnings, with an average contribution of 2%.
| Sources | Earnings | Share |
|---|---|---|
| Streaming | $3,992 | 54% |
| International Sources | $2,905 | 39% |
| Streaming | $2,533 | 87% |
| Live Performance | $27 | 1% |
| TV and Film | $7 | 0% |
| Radio | $7 | 0% |
| Other | $331 | 11% |
| Live Performance | $360 | 5% |
| Retail Plays | $12 | 0% |
| Radio | $3 | 0% |
| Other | $108 | 1% |
* Historic royalty income does not guarantee future royalty income. Future royalty income depends upon future sales and licensing revenue generated by the intellectual property associated with this listing. All earnings analysis and investment decisions are investors’ sole responsibility per Royalty Exchange’s Terms of Use.
Media
Included Works
| Work Title | Work ID |
|---|---|
| 10 O CLOCK | 43502876 |
| 2 MUCH | 26380118 |
| 2 MUCH | 30416707 |
| 3AM MAKE IT LAST | 52502092 |
| 7 AM IN BEVERLY | 29028263 |
| 911 | 40873622 |
| ADDRESS | 26380123 |
| ATLANTA | 30476474 |
| BACK IN TIME | 30476465 |
| BACK UP | 25664344 |