Listing 6000
Juice WRLD, Lil Uzi Vert + more - Songwriting Royalties

- ASCAP
- Streaming Heavy
- Rae Sremmurd
- Lil Tecca
- Lil Uzi Vert
- Juice WRLD
- Big Scarr
- Migos
- PARTYNEXTDOOR
- Songwriter
- …
Offers
Sale Price
$170,002
5.59 x LTM
Listing Tools
Price Tracker
40 offers made by 7 buyers
- List price
- Closed
- Accepted
Offer History
$170,002
Buyer 1 made 1 year ago
Accepted$170,001
Buyer 3 made 1 year ago
Outbid$168,500
Buyer 1 made 1 year ago
Outbid$166,600
Buyer 3 made 1 year ago
Outbid$165,000
Buyer 1 made 1 year ago
Outbid
About
- $30,404
- 3-Year Average
- $33,086
- Earnings Since 2016
- $214,935
- 4.36 Years
- Works Included
- 132
- $***,***
- $95,000
- Owner Last Active
- Over 30 days ago
- Life of Rights
- Musical Composition
- Public Performance
- No
- Payor
The information on this listing was accurate as of the last earning statistics update on
Overview
The listing features prominent Hip-Hop artists such as Juice WRLD, Hoodrich Pablo Juan, Lil Skies, Big Scarr, Offset, Lil Uzi Vert, Gucci Mane, Danny Wolf, Lil Tecca, Lil Baby, Migos, Justin Bieber, PARTYNEXTDOOR, Rae Sremmurd, and more.
In the Last 12 Months (LTM), 87% of earnings were generated from global streaming.
The catalog demonstrates notable diversity, with 42% of LTM earnings coming from tracks outside the Top 5.
The catalog's Dollar Age stands at 4.36 years, indicating that the songs have been earning royalties for just over four years on average. This is a positive indicator, as royalty earnings typically stabilize as a catalog matures.
Artist & Song Information
"Sometimes" and "Feel Alone" are standout tracks from Juice WRLD's posthumous releases, highlighting his struggles with mental health, substance abuse, and loneliness. "Sometimes," released in 2022 as part of Fighting Demons (Deluxe Edition), combines introspective lyrics with mellow, atmospheric production, resonating with fans for its raw honesty and emotional depth. Similarly, "Feel Alone," released in 2021, as part of Fighting Demons, explores themes of isolation and depression through somber melodies and trap-infused production. Juice WRLD’s catalog is experiencing significant international revenue growth as platforms like Spotify and Apple Music expand into emerging markets such as India, Africa, and Southeast Asia. With the upcoming release of The Party Never Ends announced on November 29, 2024, there is potential for increased catalog-wide streaming activity, as seen with similar announcements in the past, presenting a rare opportunity to capitalize on both current momentum and long-term growth potential.
"We Don’t Luv Em" by Hoodrich Pablo Juan, released in 2017 on Designer Drugz 3, features a bass-heavy, minimalist beat by DJ Spinz that complements his laid-back yet assertive flow. Centered on themes of detachment, wealth, and street life, the track became a fan favorite, solidifying Pablo Juan’s presence in the Atlanta trap scene and contributing to the mixtape’s success.
"I" by Lil Skies, released in 2019, as the lead single from his debut album Shelby, explores love, heartbreak, and fame through melodic, introspective lyrics. Produced by CashMoneyAP and Danny Ives, its guitar-driven, trap-infused beat complements Skies' reflective delivery. Peaking at #39 on the Billboard Hot 100, the track's relatable themes and strong streaming performance solidified his place in melodic hip-hop.
"Fantasy" by Big Scarr, released in 2021, as part of his debut mixtape Big Grim Reaper, highlights his raw delivery and themes of street life, ambition, and resilience. With hard-hitting, bass-heavy production, the track showcases his commanding presence and authentic lyricism, helping Big Grim Reaper peak at #25 on the Billboard 200 and solidify Big Scarr as a rising star in the Memphis rap scene.
Financials
Earnings By Period
Quarterly, as statements report
- Domestic
- International
- Net
| Year | 2020 | 2021 | 2022 | 2023 | 2024 |
|---|---|---|---|---|---|
| Earnings | $31,320 | $23,544 | $36,988 | $34,335 | $23,179 |
Works
"SOMETIMES" by Juice WRLD, released in 2022, contributed significantly to overall earnings, increasing its percentage share from 4% to 22%. The song has garnered 138.6 million streams on Spotify, with a playlist reach of 7.6 million, and has nearly 32.5 million combined views on YouTube.
"FEEL ALONE" by Juice WRLD, released in 2021, has amassed over 48 million streams on Spotify, reaching playlists with a total audience of 3.1 million, and has surpassed 11 million combined views on YouTube.
"WE DON'T LUV EM" by Hoodrich Pablo Juan, released in 2017, has accumulated 64.5 million streams on Spotify, with an impressive playlist reach of 202 million, alongside 43.7 million combined views on YouTube.
The listing demonstrates notable diversity, with 42% of earnings in the last twelve months (LTM) coming from songs outside the Top 5.
| Works | Earnings | Share |
|---|---|---|
| Sometimes | $6,137 | 20% |
| Feel Alone | $3,602 | 12% |
| We Don T Luv Em | $3,087 | 10% |
| I | $2,641 | 9% |
| Fantasy | $2,245 | 7% |
| Other | $12,691 | 42% |
Income Types
| Income Types | Earnings | Share |
|---|---|---|
| Performance | $30,404 | 100% |
Sources
Domestic Streaming has been the primary source of royalty income, contributing over 58% of total earnings in the past year.
International earnings have shown consistent growth over the last five years, achieving an impressive Compound Annual Growth Rate (CAGR) of 27%.
| Sources | Earnings | Share |
|---|---|---|
| Streaming | $17,762 | 58% |
| International Sources | $10,050 | 33% |
| Streaming | $8,799 | 88% |
| Live Performance | $111 | 1% |
| Retail Plays | $58 | 1% |
| TV and Film | $36 | 0% |
| Radio | $23 | 0% |
| Other | $1,023 | 10% |
| Streaming Video | $269 | 1% |
| TV and Film | $111 | 0% |
| Retail Plays | $18 | 0% |
| Other | $2,193 | 7% |
* Historic royalty income does not guarantee future royalty income. Future royalty income depends upon future sales and licensing revenue generated by the intellectual property associated with this listing. All earnings analysis and investment decisions are investors’ sole responsibility per Royalty Exchange’s Terms of Use.