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Listing 6014

Songwriting Royalties for Flatbush Zombies

Artwork for Songwriting Royalties for Flatbush Zombies
    • BMI
    • Hip-Hop
    • Joey Bada$$
    • Flatbush Zombies
    • Songwriter
    • …

    Offers

    Sale Price

    $65,700

    7.74 x LTM

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    14 offers made by 7 buyers

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    • Closed
    • Accepted

    Offer History

    • $65,700

      Buyer 1 made 1 year ago

      Accepted
    • $65,000

      Buyer 5 made 1 year ago

      Outbid
    • $64,500

      Buyer 7 made 1 year ago

      Outbid
    • $80,000

      Seller made 1 year ago

      Seller Offer (Rejected)Seller Counteroffer (Rejected)
    • $64,000

      Buyer 1 made 1 year ago

      Outbid

    About

    $8,493
    3-Year Average
    $9,861
    Earnings Since 2016
    $123,041
    7.88 Years
    Works Included
    85
    $**,***
    $30,000
    Owner Last Active
    Over 30 days ago
    Life of Rights
    Musical Composition
    Public Performance
    No
    Payor
    Learn more about rights and royalties

    The information on this listing was accurate as of the last earning statistics update on

    Overview

    This listing includes the songwriting performance royalties for the iconic hip-hop group Flatbush Zombies.

    The catalog demonstrates notable diversity, with 63% of earnings in the last 12 months (LTM) coming from tracks outside the Top 5. It also shows solid stabiity with the LTM and the 3-Year Average differing by only 14%.

    With a Dollar Age of 7.88, the catalog reflects a relatively long earning history. This indicates a level of maturity and earnings stability, which is a positive sign for long-term revenue potential.

    Artist & Song Information

    Flatbush Zombies, formed in 2010 in Flatbush, Brooklyn, is a hip-hop trio consisting of Meechy Darko, Zombie Juice, and Erick Arc Elliott. Known for their psychedelic sound, introspective lyricism, and experimental production, the group gained recognition with mixtapes like D.R.U.G.S. (2012) and BetterOffDEAD (2013). Their debut album, 3001: A Laced Odyssey (2016), debuted at #10 on the Billboard 200, followed by projects like Vacation in Hell (2018) and Now, More Than Ever (2020). As part of the Beast Coast collective, they’ve collaborated with artists like Joey Bada$$ and The Underachievers, releasing the group album Escape from New York in 2019. Their music explores themes such as mental health, drug use, and societal issues, complemented by theatrical visuals and high-energy performances. Flatbush Zombies have built a loyal fan base and remain influential in modern hip-hop through their commitment to artistic integrity and boundary-pushing creativity.

    Other Information

    Earnings Note. You’ll notice a spike in royalties in 3Q-2019 & 1Q-2020, which is the result of SAMRO (South African PRO) making a catch-up payment (totaling approximately $4,238 & $3,991, respecitvely) for the track “R.I.P.C.D.” Any future catch-up payments will be payable to the winner of this catalog.

    Financials

    Earnings By Period

    Quarterly, as statements report

    • Domestic
    • International
    • Net

    Note: BMI earnings are reported for the period in which they were earned, not for the period they are paid.

    Note: BMI’s Q2-2020 distribution includes non-recurring settlement payments from the Radio Music Licensing Committee (RMLC). The settlement represents a rate increase for radio performances in years 2017-2019. You can view the amount of the settlement in the Raw Data file under the “raw_music_user” column with the label: “RMLC2017 STLMNT”, “RMLC2018 STLMNT” and “RMLC2019 STLMNT.”

    Year20202021202220232024*
    Earnings$18,916$12,370$11,345$8,385$4,081

    * 2024 earnings have not been paid for the entire year.


    Works

    PALM TREES (2013) has shown a positive Compound Annual Growth Rate (CAGR) of 10%. While experiencing a slight dip in years three and four, the song rebounded in year five, maintaining a steady stream of royalties. It has accumulated a combined 140 million views on YouTube.

    HEADSTONE (2018) has been streamed over 46 million times on Spotify, with a playlist reach of 1.3 million listeners, and has garnered nearly 30 million combined views on YouTube.

    NEW PHONE, WHO DIS? (2016) boasts over 44.5 million streams on Spotify, a playlist reach of 875,000, and more than 12.2 million combined views on YouTube.

    The catalog demonstrates significant diversity, with 63% of earnings in LTM coming from tracks outside the Top 5.

    WorksEarningsShare
    Palm Trees$1,30715%
    Headstone$5016%
    New Phone Who Dis$4806%
    Bounce$4195%
    This Is It$4185%
    Other$5,36863%

    Income Types

    Income TypesEarningsShare
    Performance$8,493100%

    Sources

    Streaming sources are the largest contributor to overall earnings, consistently maintaining a significant share of revenue. Over the past five years, they have averaged $6,525 annually.

    International earnings, the second-largest contributor, have demonstrated stability over the last three years, with an average annual income of $3,825.

    SourcesEarningsShare
    Streaming$5,13660%
    International Sources$3,09036%
    Streaming$2,01165%
    Live Performance$68322%
    Radio$2578%
    TV and Film$823%
    Other$572%
    Satellite Radio$861%
    TV and Film$360%
    Live Performance$310%
    Other$1151%

    * Historic royalty income does not guarantee future royalty income. Future royalty income depends upon future sales and licensing revenue generated by the intellectual property associated with this listing. All earnings analysis and investment decisions are investors’ sole responsibility per Royalty Exchange’s Terms of Use.

    Media

    Included Works

    Work TitleWork ID
    AFTERLIFE44850098
    ALTO52161940
    ARIES23691699
    ASCENSION21780998
    ASK COURTNEY26979969
    BEST AMERICAN26979975
    BIG SHRIMP26979833
    BLESSINGS43801336
    BLISS62492010
    BLOCKS AND AVE S67933373