Listing 6028
Juice WRLD, Lil Baby, Lil Uzi Vert + more - Publishing Royalties
- APG
- PARTYNEXTDOOR
- Migos
- Lil Tecca
- Juice WRLD
- Publishing
- Streaming Heavy
- Lil Uzi Vert
- Big Scarr
- Rae Sremmurd
- Lil Skies
- …
Offers
Sale Price
$403,988
5.30 x LTM
Listing Tools
Price Tracker
14 offers made by 7 buyers
- List price
- Closed
- Accepted
Offer History
$403,988
Buyer 4 made 1 year ago
Accepted$400,088
Buyer 7 made 1 year ago
Outbid$395,000
Buyer 6 made 1 year ago
Buyer Offer (Outbid)Buyer Counteroffer (Outbid)$783,000
Seller made 1 year ago
Seller Offer (Rejected)Seller Counteroffer (Rejected)$388,000
Buyer 6 made 1 year ago
About
- $76,209
- 3-Year Average
- $72,752
- Earnings Since 2020
- $260,503
- 4.29 Years
- Works Included
- 200
- $***,***
- $200,000
- Owner Last Active
- Over 30 days ago
- Life of Rights
- Musical Composition
- Mechanical, Public Performance, Sync
- No
- Sources
- Internet Streaming, AM/FM & Satellite Radio, Digital Downloads, CD Sales, TV/Film/Commercial Placements & Performances, etc.
- Payor
- Artist Publisher Group (APG)
The information on this listing was accurate as of the last earning statistics update on
Overview
The listing showcases prominent hip-hop artists, including Juice WRLD, Hoodrich Pablo Juan, Lil Skies, Ugly God. Big Scarr, Offset, Lil Uzi Vert, Gucci Mane, Danny Wolf, Lil Tecca, Lil Baby, Migos, Justin Bieber, PARTYNEXTDOOR, Rae Sremmurd, and others.
Earnings have exhibited consistent growth over the first three years, peaking at $84,867. The annual growth rate reached 42% in Year 2 and accelerated to 48% in Year 3, followed by a modest decline in Year 4. Overall, the catalog has delivered strong performance over four years, achieving a Compound Annual Growth Rate (CAGR) of 24%.
The Last 12 Months (LTM) earnings are closely aligned with the 3-Year Average, differing by just 4.5%. The catalog’s average annual earnings stand at $64,635 since 2020.
Additionally, the listing demonstrates significant diversity, with 47% of LTM earnings generated outside the Top 5 highest-earning tracks.
The songwriting royalties for this catalog recently sold at over 5.5x the LTM.
Artist & Song Information
"Sometimes" and "Feel Alone" are standout tracks from Juice WRLD's posthumous releases, highlighting his struggles with mental health, substance abuse, and loneliness. "Sometimes," released in 2022 as part of Fighting Demons (Deluxe Edition), combines introspective lyrics with mellow, atmospheric production, resonating with fans for its raw honesty and emotional depth. Similarly, "Feel Alone," released in 2021, as part of Fighting Demons, explores themes of isolation and depression through somber melodies and trap-infused production. Juice WRLD’s catalog is experiencing significant international revenue growth as platforms like Spotify and Apple Music expand into emerging markets such as India, Africa, and Southeast Asia. With the release of Juice WRLD's posthumous album The Party Never Ends on November 29, 2024, there is potential for increased catalog-wide streaming activity, as seen with similar announcements in the past, presenting a rare opportunity to capitalize on both current momentum and long-term growth potential.
"We Don’t Luv Em" by Hoodrich Pablo Juan, released in 2017 on Designer Drugz 3, features a bass-heavy, minimalist beat that complements his laid-back yet assertive flow. Centered on themes of detachment, wealth, and street life, the track became a fan favorite, solidifying Pablo Juan’s presence in the Atlanta trap scene and contributing to the mixtape’s success.
"I" by Lil Skies, released in 2019, as the lead single from his debut album Shelby, explores love, heartbreak, and fame through melodic, introspective lyrics. Its guitar-driven, trap-infused beat complements Skies' reflective delivery. Peaking at #39 on the Billboard Hot 100, the track's relatable themes and strong streaming performance solidified his place in melodic hip-hop.
Other Information
Matching Right: This seller's publisher holds a matching right on any sale of the income generated by this catalog. The publisher will have the opportunity to match the accepted offer. If you are the winning bidder, the publisher must first decline their matching right before you will be able to complete your purchase. For more information on how the matching right works, please email: info@royaltyexchange.com.
This catalog will not be automatically added to the Secondary Market of The Exchange. The winning bidder can contact Royalty Exchange to relist.
Financials
Earnings By Period
Half-yearly, as statements report
- Domestic
- International
- Net
| Year | 2020 | 2021 | 2022 | 2023 | 2024* |
|---|---|---|---|---|---|
| Earnings | $22,229 | $44,251 | $75,678 | $71,214 | $47,130 |
* 2024 earnings have not been paid for the entire year.
Works
"Sometimes" (2022) has achieved 138.6 million streams on Spotify, with a playlist reach of 7.6 million, and nearly 32.5 million combined views on YouTube.
"We Don't Luv Em" (2017) has demonstrated steady royalty growth, achieving a Compound Annual Growth Rate (CAGR) of 10%. Annual earnings consistently grew between 7% and 11%, making it a stable contributor to overall earnings.
"I" (2019) exhibited fluctuations, with declines in Year 2 and Year 3 followed by a significant rebound in Year 4, where earnings grew by 61%. This resurgence was driven by increased Streaming Mechanical earnings from YouTube. The song's CAGR is 4%.
"Feel Alone" (2021) has accumulated over 48 million Spotify streams, reached playlists with a total audience of 3.1 million, and surpassed 11 million combined YouTube views.
"Water" (2020), performed by Earl St. Clair, displayed moderate royalty growth with a CAGR of 6.5%.
47% of total earnings in the LTM came from tracks outside the Top 5 earners, showcasing notable diversity in the catalog's revenue streams.
| Works | Earnings | Share |
|---|---|---|
| Sometimes | $10,316 | 14% |
| We Don't Luv Em | $9,051 | 12% |
| I | $7,988 | 10% |
| Feel Alone | $7,944 | 10% |
| Water | $4,976 | 7% |
| Other | $35,934 | 47% |
Income Types
Streaming Mechanical / Mechanical royalties have dominated overall earnings, accounting for over 73% of total revenue since 2020. In the most recent year, Streaming Mechanical income grew by nearly 110% compared to the prior year, driven by increased payments from the Mechanical Licensing Collective (MLC) from Apple Music.
Performance income has shown a consistent upward trend, contributing 18% of total earnings. The yearly average for Performance income stands at $9,200.
| Income Types | Earnings | Share |
|---|---|---|
| Streaming Mechanical | $57,985 | 76% |
| Performance | $13,607 | 18% |
| $1,974 | 3% | |
| Sync | $951 | 1% |
| Mechanical | $779 | 1% |
| Other | $913 | 1% |
Sources
Streaming royalties experienced exceptional growth over the four-year period, achieving a CAGR of 71.5%. From Year 2 onward, streaming consistently accounted for more than half of the total earnings.
International royalties grew steadily, with a CAGR of 20%. Annual growth rates ranged from 3% to 32%, contributing between 17% and 21% of total earnings during the period.
| Sources | Earnings | Share |
|---|---|---|
| Streaming | $48,431 | 64% |
| International Sources | $14,561 | 19% |
| Music Rights Org | $13,595 | 93% |
| Streaming | $456 | 3% |
| Music Publisher | $72 | 0% |
| Record Label | $3 | 0% |
| Other | $434 | 3% |
| Music Rights Org | $10,470 | 14% |
| Record Label | $814 | 1% |
| Other | $1,933 | 3% |
* Historic royalty income does not guarantee future royalty income. Future royalty income depends upon future sales and licensing revenue generated by the intellectual property associated with this listing. All earnings analysis and investment decisions are investors’ sole responsibility per Royalty Exchange’s Terms of Use.