Listing 6082
Jay Park, Woodz, Hoody + more - Songwriting Royalties
- BMI
- K-Pop
- Woodz
- Jay Park
- Hoody
- Songwriter
- …
Offers
Sale Price
$323,800
7.82 x LTM
Listing Tools
Price Tracker
31 offers made by 9 buyers
- List price
- Closed
- Accepted
Offer History
$323,800
Buyer 2 made 1 year ago
Accepted$321,000
Buyer 7 made 1 year ago
Outbid$320,400
Buyer 2 made 1 year ago
Outbid$317,600
Buyer 7 made 1 year ago
Outbid$314,800
Buyer 2 made 1 year ago
Outbid
About
- $41,422
- 3-Year Average
- $40,016
- Earnings Since 2014
- $294,806
- 7.29 Years
- Works Included
- 180
- $***,***
- $150,000
- Owner Last Active
- Over 30 days ago
- Life of Rights
- Musical Composition
- Public Performance
- No
- Payor
The information on this listing was accurate as of the last earning statistics update on
Overview
This listing includes songwriting public performance royalties from well-known K-pop artists such as Jay Park, Woodz, Hoody, Jay B, Zion.T, No Rome, and others.
The catalog demonstrates diverse earnings distribution, with 49% of royalties in the Last 12 Months coming from outside the Top 5 tracks, indicating a revenue base that extends beyond a few high-performing songs. It also benefits from multiple revenue sources, including streaming, live performances, and TV/film placements, contributing to its stability in the international market.
Earnings have remained consistent, with Last 12 Months (LTM) revenue differing by only 3% from the three-year average, signaling a steady cash flow.
With a Dollar Age of 7.05 years, the catalog has been generating revenue for a sustained period. A higher dollar age typically reflects established earnings stability, as these songs have demonstrated long-term performance in the market.
Artist & Song Information
Jay Park (박재범) is a Korean-American singer, rapper, songwriter, dancer, and entrepreneur who rose to fame as the leader of 2PM before leaving in 2010 and reinventing himself as a solo artist. His breakout solo hits, including Joah (2013), All I Wanna Do (2016), and Switch It Up (2021), showcase his ability to blend R&B, hip-hop, and K-pop, solidifying his influence in both Korean and international music scenes. He founded AOMG (2013) and H1GHR MUSIC (2017), nurturing top hip-hop talent, and in 2017, became the first Asian-American to sign with Jay-Z’s Roc Nation. A mentor on hip-hop shows like Show Me the Money, Jay Park remains a key figure in bridging Asian and Western music, championing Asian representation on a global scale.
Woodz (조승연 / Cho Seung-youn) and Hoody (후디) are South Korean artists known for their impact on K-pop, R&B, and hip-hop. Woodz debuted in UNIQ (2014) before rebranding as a solo artist, gaining recognition with Love Me Harder (2020) and later projects like Only Lovers Left (2021). He competed in Produce X 101, debuting with X1 (2019) before its disbandment, and is known for self-producing music and collaborations with Colde and Punchnello. Hoody, born Kim Hyun-jung (김현정) debuted with Amourette (2013) before becoming AOMG’s first female artist (2015). Her smooth R&B sound shines in Like You (2016) and Adios (2019), with collaborations including Jay Park, GRAY, and Simon Dominic. Both artists continue to push creative boundaries in their genres.
Financials
Earnings By Period
Quarterly, as statements report
- Domestic
- International
- Net
Note: BMI earnings are reported for the period in which they were earned, not for the period they are paid.
Note: BMI’s Q2-2020 distribution includes non-recurring settlement payments from the Radio Music Licensing Committee (RMLC). The settlement represents a rate increase for radio performances in years 2017-2019. You can view the amount of the settlement in the Raw Data file under the “raw_music_user” column with the label: “RMLC2017 STLMNT”, “RMLC2018 STLMNT” and “RMLC2019 STLMNT.”
| Year | 2020 | 2021 | 2022 | 2023 | 2024* |
|---|---|---|---|---|---|
| Earnings | $32,368 | $35,509 | $28,516 | $41,254 | $38,106 |
* 2024 earnings have not been paid for the entire year.
Works
"Joah"'s share of overall earnings has grown from 11% to 19%, reflecting its increasing significance in the catalog. The track has maintained a Compound Annual Growth Rate (CAGR) of 8% over the past five years.
"All I Wanna Do" has shown steady growth, with consistent gains over a 5 Year period from Year 2 onward. Its CAGR stands at 8%, and its share of total earnings has risen from 9% to 15%, reinforcing its stable performance and growing importance.
"All I Wanna Do (Korean Version)" has remained a consistent contributor, accounting for 8% to 11% of total earnings.
Additionally, 49% of earnings in the LTM have come from tracks outside the Top 5, demonstrating the catalog’s diverse revenue base.
| Works | Earnings | Share |
|---|---|---|
| Joah | $7,802 | 19% |
| All I Wanna Do | $6,073 | 15% |
| All I Wanna Do K | $4,589 | 11% |
| Switch It Up Feat Sokodomo | $1,559 | 4% |
| Why | $1,261 | 3% |
| Other | $20,137 | 49% |
Income Types
| Income Types | Earnings | Share |
|---|---|---|
| Performance | $41,422 | 100% |
Sources
International royalties are the primary revenue source, averaging $34,360 annually.
While U.S. streaming accounts for a smaller share of total earnings, it remains steady, generating an average of $4,300 per year.
| Sources | Earnings | Share |
|---|---|---|
| International Sources | $37,688 | 91% |
| Streaming | $27,439 | 73% |
| Live Performance | $5,975 | 16% |
| TV and Film | $3,352 | 9% |
| Radio | $80 | 0% |
| Other | $842 | 2% |
| Streaming | $3,555 | 9% |
| Satellite Radio | $107 | 0% |
| Radio | $26 | 0% |
| Retail Plays | $2 | 0% |
| Other | $43 | 0% |
* Historic royalty income does not guarantee future royalty income. Future royalty income depends upon future sales and licensing revenue generated by the intellectual property associated with this listing. All earnings analysis and investment decisions are investors’ sole responsibility per Royalty Exchange’s Terms of Use.