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Listing 6366

Travis Tritt, Garth Brooks, Conway Twitty, + more - Songwriting Royalties

Artwork for Travis Tritt, Garth Brooks, Conway Twitty, + more - Songwriting Royalties
    • Songwriter
    • Hal Ketchum
    • Travis Tritt
    • BMI
    • Garth Brooks
    • Conway Twitty
    • Mel McDaniel
    • Country
    • …

    Offers

    Sale Price

    $37,600

    14.76 x LTM

    Listing Tools

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    62 offers made by 15 buyers

    • List price
    • Closed
    • Accepted

    Offer History

    • $37,600

      Buyer 5 made 1 year ago

      Accepted
    • $37,400

      Buyer 15 made 1 year ago

      Outbid
    • $37,200

      Buyer 5 made 1 year ago

      Outbid
    • $37,000

      Buyer 15 made 1 year ago

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    • $36,700

      Buyer 5 made 1 year ago

      Outbid

    About

    $2,548
    3-Year Average
    $2,397
    Earnings Since 2015
    $18,233
    32.89 Years
    Works Included
    67
    $**,***
    $18,750
    Owner Last Active
    Over 30 days ago
    Life of Rights
    Musical Composition
    Public Performance
    No
    Payor
    Learn more about rights and royalties

    The information on this listing was accurate as of the last earning statistics update on

    Overview

    This catalog features songs from legendary country artists including Travis Tritt, Garth Brooks, Conway Twitty, Alan Jackson, Randy Travis, Hal Ketchum, Mel McDaniel, Diamond Rio, and more, along with tracks from Jeff Foxworthy and Bill Engvall.

    The catalog has delivered a five-year CAGR of 14.72%, placing it well above the median growth rate of -4.37% across all catalogs analyzed by Royalty Exchange. Its performance ranks between the 75th percentile (10.92%) and the 90th percentile (31.83%), underscoring stronger growth than the majority of comparable assets. The growth is primiarly driven by increases from Streaming, Radio and Live sources. 

    Earnings have also been stable, with the Last 12 Months (LTM) and 3-Year Average (3YA) differing by only ~6%. Diversification further supports this stability, with three different sources each contributing at least 20% of LTM income.

    Finally, the catalog’s Dollar Age of 32.89 years highlights the enduring value of these works. Songs that continue generating royalties decades after release are often considered potentially reliable, long-term assets, reflecting both staying power and ongoing listener appeal.

    Artist & Song Information

    “The Whiskey Ain’t Workin’,” released in 1991 by Travis Tritt and Marty Stuart, was written by Stuart and Ronny Scaife and became one of the duo’s most successful collaborations. The track peaked at #2 on the Billboard Hot Country Songs chart, reached #4 in Canada, and hit #1 on the Radio & Records country chart. Its success was further cemented by major industry recognition, winning the Grammy Award for Best Country Collaboration with Vocals and the CMA Award for Vocal Event of the Year in 1992, making it both a commercial and critical standout in early ’90s country music.

    “Hearts Are Gonna Roll,” written by Hal Ketchum and Ronny Scaife, was released in February 1993 as the second single from Ketchum’s album Sure Love. Produced by Allen Reynolds and Jim Rooney, the track became one of his biggest hits, debuting at #63 and peaking at #2 on the Billboard Hot Country Singles & Tracks chart in May 1993, while also charting in Canada. Its success added to Ketchum’s strong early ’90s run, cementing his reputation with a string of popular singles that included “Small Town Saturday Night,” “Past the Point of Rescue,” and “Sure Love.”

    “Countryfied,” written by Ronny Scaife and Danny Hogan and recorded by Mel McDaniel, was released in 1980 as the title track of his album I’m Countryfied. The single reached #23 on the Billboard Hot Country Singles chart, while the album peaked at #24 on the Billboard Top Country Albums chart. With its traditional country instrumentation and lyrics celebrating rural life and simple pleasures, the song embodied McDaniel’s down-home style and helped establish his presence in the early ’80s country scene.

    Financials

    Earnings By Period

    Quarterly, as statements report

    • Domestic
    • International
    • Net

    Note: BMI earnings are reported for the period in which they were earned, not for the period they are paid.

    Note: BMI’s Q2-2020 distribution includes non-recurring settlement payments from the Radio Music Licensing Committee (RMLC). The settlement represents a rate increase for radio performances in years 2017-2019. You can view the amount of the settlement in the Raw Data file under the “raw_music_user” column with the label: “RMLC2017 STLMNT”, “RMLC2018 STLMNT” and “RMLC2019 STLMNT.”

    Year20212022202320242025*
    Earnings$1,452$1,976$2,436$2,438$732

    * 2025 earnings have not been paid for the entire year.


    Works

    “Whiskey Ain’t Workin’” (1991) has delivered consistent strength, posting a five-year CAGR of 17.78% and accounting for an average of 66% of total earnings over that period. Its sustained dominance underscores both strong market presence and listener loyalty.

    “Hearts Are Gonna Roll” (1993) has achieved steady growth with a five-year CAGR of 11.88%, reaching its highest earnings in Year 5, a sign of growing traction or renewed audience interest.

    “Countryfied” (1970) stands out with the highest five-year CAGR at 65.96%. While starting from a smaller base, it has steadily expanded its earnings and share of overall income each year, highlighting significant growth momentum.

    WorksEarningsShare
    Whiskey Ain T Workin$1,83572%
    Hearts Are Gonna Roll$25110%
    Countryfied$1034%
    Alabama Clay$632%
    I Couldn T See You Leavin$572%
    Other$2389%

    Income Types

    Income TypesEarningsShare
    Performance$2,548100%

    Sources

    Streaming has delivered strong momentum, with a five-year CAGR of 21.13% and consistently accounting for more than 40% of total earnings over the past three years, reinforcing its role as the catalog’s primary revenue driver.

    Satellite Radio has remained relatively steady, posting a modest five-year CAGR of -1.46%. Earnings peaked in Year 1, followed by a gradual decline, though Years 4 and 5 show signs of stabilization.

    Radio has experienced the most striking rise, achieving a five-year CAGR of 47.3%, with a sharp increase in Year 4 marking a key inflection point.

    The Live segment, though beginning from a small base, has surged with a five-year CAGR of 122.53%. Explosive gains in Years 2 and 3, followed by a pullback and modest rebound, highlight its high-growth but volatile nature.

    SourcesEarningsShare
    Streaming$1,03541%
    Satellite Radio$56622%
    Radio$50020%
    Live Performance$1988%
    Retail Plays$944%
    Other$1556%

    * Historic royalty income does not guarantee future royalty income. Future royalty income depends upon future sales and licensing revenue generated by the intellectual property associated with this listing. All earnings analysis and investment decisions are investors’ sole responsibility per Royalty Exchange’s Terms of Use.

    Media

    Included Works

    Work TitleWork ID
    ALABAMA CLAY17100
    ALL BY MYSELF20372
    ANYTHING49995
    BILLY BARDO116584
    BILLY DOES YOUR BULLDOG BITE116727
    BLACK JACK FLETCHER AND MISSIS120939
    BOUND TO RAMBLE143442
    CHESAPEAKE BAY204161
    CHRISTMAS TIME ON ROCKY TOP6810395
    COUNTRYFIED251994