Kevin Gates, Fat Joe, Chris Brown + more - Publishing Royalties

This catalog didn’t arrive with fanfare. It earned its place track by track. In the early years, it moved quietly but steadily, built on emotionally charged songs from artists like Kevin Gates, Tink, Fat Joe, and Don Trip. Some tracks were born from deeply personal moments - Kevin Gates’ “Me Too,” for example, was released shortly after his incarceration and has since become one of his most streamed songs, with over 145 million plays. Others, like Fat Joe and Chris Brown’s “Another Round,” grew slowly but surely, eventually going Gold and amassing more than 90 million views on YouTube. This catalog wasn’t built on quick wins. It was built to endure.

In recent years, that quiet consistency has become more visible. After a solid Year 2, earnings jumped nearly 38 percent in Year 3, a reflection not of a sudden breakout, but of a catalog coming into full view. With updated administration and stronger reporting in place, the income now more accurately reflects the lasting demand these songs have quietly sustained.

Beneath the surface, the fundamentals are strong. Mechanical royalties surged 192 percent in the most recent year, driven by both usage and sharper royalty collection. Streaming now accounts for more than 75 percent of total income, anchored by Apple Music and YouTube, which together contribute over half. And while the catalog’s Dollar Age is just over six years, it behaves like something far younger - active, consistent, and full of life.

This is a catalog with staying power. It may not chase the spotlight, but it delivers where it counts - through steady play, emotional connection, and relevance that doesn’t fade. In a market full of noise, this collection stands out for its longevity and quiet resilience. It’s not just earning. It’s catching up to its true value.

“Me Too” by Kevin Gates, released in 2018 as part of his Luca Brasi 3 mixtape, has become one of his most streamed tracks, with over 145 million Spotify plays and a 2× Platinum certification from the RIAA. While it didn’t enter the Billboard Hot 100, it reached #14 on the Bubbling Under Hot 100 chart, signaling strong audience traction. The track, known for its provocative and explicit lyrics, was released shortly after Gates' incarceration and marked part of his commercial resurgence. Though some critics viewed the song as a lighter or sillier moment on the project, its bold hook and sustained streaming performance have made it a standout in his catalog.

“Mine” by Tink appears on her 2022 album Pillow Talk and draws on the emotional themes of jealousy and love. Pillow Talk reached #43 on the Billboard 200, #25 on the Top R&B/Hip-Hop Albums chart, and #8 on the Independent Albums chart. The song’s continued streaming activity and placement on a well-performing album contribute to its royalty strength despite the lack of traditional chart success.

“Another Round” by Fat Joe featuring Chris Brown was released in late 2011 and peaked at #74 on the Billboard Hot 100 and was later certified Gold by the RIAA, signaling strong commercial performance. The music video has surpassed 91 million views on YouTube, contributing to its continued streaming relevance. The collaboration with Chris Brown helped the track find a wide audience, and its steady royalty performance reflects both nostalgic appeal and cross-genre resonance.

Earnings Note. Seller switched from SongTrust to AdminMP after the 2Q-2024 distribution. Q1-2025 includes catch-up payments from AdminMP. 

How This Investment Works. As the winning bidder, you will collect 100% of payments until you receive the fixed amount of $123,000 from this asset. 

Early Repayment. The seller of this asset can repay the remaining advance balance at any time. For example: If after two years, this asset has paid you $50,000 and the seller wants the royalty stream back, they can pay you $73,000 to reclaim the royalties.

This catalog cannot be added to the Secondary Market of The Exchange.