Listing 6492
Connecting to live updatesBrandy, Monica, & Big Pun - Songwriting Royalties

- Fat Joe
- Monica
- ASCAP
- Brandy
- Big Pun
- Songwriter
- …
Offers
List Price
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Open OfferHighest Open Offer
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Listing Insights
Marketplace Median
$***,***
Owner Last Active
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Final Auction
Liquidity Pool
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Listing Tools
Price Tracker
2 offers made by 1 buyer
- List price
- Closed
- Open
Offer History
$176,000
Buyer 1 made 7 days ago
$159,000
Buyer 1 made 75 days ago
About
- $15,659
- 3-Year Average
- —
- Earnings Since 2025
- $15,659
- 21.79 Years
- Works Included
- 64
- $***,***
- $250,000
- Owner Last Active
- —
- Last Transaction Price
- $166,000
- Last Transaction Date
- Nov 28, 2025November 28, 2025
- Life of Rights
- Musical Composition
- Public Performance
- No
- Payor
Earning statistics last updated
Sale History
Artist & Song Information
“The Boy Is Mine” by Brandy and Monica, released on May 19, 1998, is one of the most iconic R&B duets of all time. The song topped the Billboard Hot 100 for 13 consecutive weeks, became the best-selling song of 1998 in the U.S., and was certified 2× Platinum by the RIAA. It also reached No. 1 in Canada and New Zealand and charted in the Top 10 across multiple international markets. The track won a Grammy Award for Best R&B Performance by a Duo or Group with Vocals in 1999 and received several nominations at the MTV Video Music Awards, Billboard Music Awards, and Soul Train Music Awards.
“Still Not a Player” by Big Pun featuring Joe, released on March 28, 1998, is a landmark hip-hop single that blended sharp lyricism with smooth R&B appeal, helping launch Latin rap into the mainstream. A remix of Big Pun’s “I’m Not a Player,” the track peaked at #24 on the Billboard Hot 100 and #6 on Hot Rap Songs, and was certified Gold by the RIAA. It played a key role in the success of Capital Punishment, the first platinum-certified album by a solo Latino rapper, which also earned a Grammy nomination for Best Rap Album in 1999. The song’s catchy hook, featuring Joe’s vocals, gave it strong crossover appeal, making it Pun’s most recognized hit and a defining track of late ’90s hip-hop. It remains widely celebrated and has inspired modern interpolations, including A Boogie Wit Da Hoodie’s “Playa No More.”
Financials
Earnings By Period
Quarterly, as statements report
- Domestic
- International
- Net
| Year | 2025 | 2026* |
|---|---|---|
| Earnings | $2,234 | $13,426 |
* 2026 earnings have not been paid for the entire year. The winning buyer will receive the remaining earnings for the year.
Works
| Works | Earnings | Share |
|---|---|---|
| Boy Is Mine | $10,873 | 69% |
| Royalty Administration Adjustments | $2,259 | 14% |
| Still Not A Player | $815 | 5% |
| Girl Is Mine | $561 | 4% |
| Mine | $153 | 1% |
| Other | $999 | 6% |
Income Types
| Income Types | Earnings | Share |
|---|---|---|
| Performance | $13,400 | 86% |
| Adjustment | $2,259 | 14% |
Sources
| Sources | Earnings | Share |
|---|---|---|
| Streaming | $6,075 | 39% |
| Radio | $2,764 | 18% |
| Adjustment | $2,259 | 14% |
| Live Performance | $947 | 6% |
| Retail Plays | $449 | 3% |
| Other | $3,166 | 20% |
Users
| Users | Earnings | Share |
|---|---|---|
| Streaming | $714 | 5% |
| Apple Music | $564 | 4% |
| Spotify | $525 | 3% |
| Youtube - Audio/premium/general Ent | $455 | 3% |
| Youtube Shorts 2q23-4q24 | $243 | 2% |
| Other | $13,158 | 84% |
* Historic royalty income does not guarantee future royalty income. Future royalty income depends upon future sales and licensing revenue generated by the intellectual property associated with this listing. All earnings analysis and investment decisions are investors’ sole responsibility per Royalty Exchange’s Terms of Use.
Media
Included Works
| Work Title | Work ID |
|---|---|
| ARE YOU MISSING | 313206812 |
| BOY IS MINE | 320490260 |
| CAUTION | 929067672 |
| COME BACK TO ME | 904489448 |
| DON T STOP | 340488646 |
| DON T STOP DON T QUIT | 340425963 |
| DON T WANNA BE A PLAYER | 340387737 |
| DON T WANT TO BE ALONE | 905511391 |
| DON'T LEAVE | 341366212 |
| DON'T STOP, DON'T QUIT | 880339819 |