Listing 6513
Big Scarr & Little Double O - Songwriting & Publishing Royalties

- Songwriter
- BMI
- AdminMP
- Big Scarr
- Lil Double 0
- Publishing
- …
Offers
Sale Price
$63,602
7.71 x LTM
Listing Tools
Price Tracker
25 offers made by 4 buyers
- List price
- Closed
- Accepted
Offer History
$63,602
Buyer 3 made 292 days ago
Accepted$63,101
Buyer 1 made 292 days ago
Outbid$62,601
Buyer 3 made 292 days ago
Outbid$62,000
Buyer 1 made 292 days ago
Outbid$61,201
Buyer 3 made 292 days ago
Outbid
About
- $8,251
- 3-Year Average
- $10,441
- Earnings Since 2020
- $51,200
- 5.45 Years
- Works Included
- 2
- $**,***
- $40,000
- Owner Last Active
- Over 30 days ago
- Life of Rights
- Musical Composition
- Mechanical, Public Performance, Sync
- No
- Sources
- Internet Streaming, AM/FM & Satellite Radio, Digital Downloads, CD Sales, TV/Film/Commercial Placements & Performances, etc.
- Payors
The information on this listing was accurate as of the last earning statistics update on
Overview
Built around songwriting and publishing royalties tied to Big Scarr and Lil Double 0, the early years of this catalog reflect the familiar rhythm of emerging trap releases: bursts of attention, uneven earnings, and the slow process of songs settling into rotation. With a Dollar Age of 5.45 years, the catalog now sits just past that initial proving ground.
At the center is “Endzone.” From the moment it landed, it did exactly what its title suggests. The track became the clear engine of the catalog, consistently generating more than 85% of total earnings over the past five years. It wasn’t a fleeting spike, it was repetition, listeners coming back again and again as the song embedded itself into everyday streaming behavior.
Alongside it, “Living” adds stability. After its first year, earnings settle into a consistent range, with payments remaining relatively steady year over year. That pattern points to sustained, ongoing usage rather than event-driven performance.
Under the hood, the earnings mix adds further texture. Performance royalties form the backbone, averaging roughly 46% of income, while mechanical royalties have grown meaningfully over time. Streaming accounts for the majority of earnings, contributing between 68% and 83% across recent years.
Layered in is a regular payment structure, with earnings distributed across eight scheduled periods throughout the year. That frequency allows buyers to receive cash flow consistently rather than through infrequent payouts, a feature that can complement total return.
Taken together, the catalog feels less like a finished chapter and more like a body of work mid-stride—anchored by a proven core track and supported by steady secondary contributions.
Artist & Song Information
“Endzone” by Big Scarr is a hard-hitting Memphis trap track from around 2020 that captures the raw, aggressive energy of his early rise. It became a fan favorite within Big Scarr’s catalog, accumulating millions of streams and helping solidify his presence during his breakout period. The track fits squarely into the run-up to his Big Grim Reaper era and reflects the gritty, unfiltered Memphis sound that ultimately led to broader recognition for the artist, including his selection to the XXL Freshman Class in 2022, underscoring the impact of this phase of his career.
“Living” (often stylized as Livin’) by Lil Double 0 is a gritty hip-hop track released around 2020 and featured on his project 223. Delivered with a straightforward, unpolished intensity over a hard trap-leaning beat, Living fits squarely within his core sound and resonates most strongly with his underground fanbase. The track stands as a representative example of Lil Double 0’s authentic storytelling approach and the gritty tone that defines his catalog.
Other Information
Earnings Note. The Earnings by Period chart below reflects royalty payments based on two distinct statement sets from different payors. The Last 12 Months include:
BMI Statements: 3Q-2024 through 2Q-2025 (Quarterly)
AdminMP Statements: 4Q-2024 through 3Q-2025 (Quarterly)
Financials
Royalty Payors




Works
“Endzone” (2020) has been the primary driver of earnings, consistently accounting for more than 85% of total income across the five-year period, remaining one of the artist’s top-performing tracks as listeners continue to discover or revisit the catalog and generating a stable, low-volatility income profile over time.
“Living” (2020) contributes from a smaller base but shows a relatively more stable earnings pattern.
| Works | Earnings | Share |
|---|---|---|
| Endzone | $7,211 | 87% |
| Living | $1,041 | 13% |
Income Types
Performance royalties are the largest contributor to overall earnings, averaging approximately 46% of total income.
Mechanical royalties have shown meaningful growth over time, posting a positive five-year CAGR of 19.27%.
| Income Types | Earnings | Share |
|---|---|---|
| Performance | $3,803 | 46% |
| Mechanical | $3,275 | 40% |
| Streaming Synchronization | $1,173 | 14% |
Sources
Streaming is the primary source of earnings, contributing between 68% and 83% of total income over the past five years.
Music rights organization distributions have followed a modest upward trend, posting a positive five-year CAGR of 2.94%.
| Sources | Earnings | Share |
|---|---|---|
| Streaming | $5,611 | 68% |
| Music Rights Org | $1,645 | 20% |
| Record Label | $119 | 1% |
| Music Publisher | $40 | 0% |
| Radio | $1 | 0% |
| Other | $835 | 10% |
* Historic royalty income does not guarantee future royalty income. Future royalty income depends upon future sales and licensing revenue generated by the intellectual property associated with this listing. All earnings analysis and investment decisions are investors’ sole responsibility per Royalty Exchange’s Terms of Use.
Media
Included Works
| Work Title | Work ID | Alternate ID |
|---|---|---|
| ENDZONE | 47019275 | 44731 |
| LIVING | 50568323 | 51856 |