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Listing 6658

PARTYNEXTDOOR, Chris Brown, + more - Songwriting & Publishing Royalties

Artwork for PARTYNEXTDOOR, Chris Brown, + more - Songwriting & Publishing Royalties
    • Songwriter
    • Chris Brown
    • PARTYNEXTDOOR
    • AdminMP
    • BMI
    • Publishing
    • …

    Offers

    Sale Price

    $19,600

    1.27 x LTM

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    8 offers made by 5 buyers

    • List price
    • Closed
    • Accepted

    Offer History

    • $19,600

      Buyer 1 made 195 days ago

      Accepted
    • $18,900

      Buyer 5 made 195 days ago

      Outbid
    • $18,000

      Buyer 1 made 196 days ago

      Increased
    • $17,200

      Buyer 4 made 196 days ago

      Outbid
    • $16,400

      Buyer 1 made 196 days ago

      Outbid

    About

    $15,410
    3-Year Average
    —
    Earnings Since 2023
    $23,094
    2.71 Years
    Works Included
    42
    —
    $14,000
    Owner Last Active
    Over 30 days ago
    Fixed-Return
    Fixed-Return Amount
    $26,000
    Learn more about rights and royalties

    The information on this listing was accurate as of the last earning statistics update on

    Overview

    This catalog brings together songwriting and publishing royalties for contemporary R&B and hip-hop cuts written for PARTYNEXTDOOR, Chris Brown, and 2026 Grammy winner Durand Bernarr, and many more. Rights coverage varies by track. A per-track list of included rights is available here.

    Context matters here. This is a young catalog most of the songs were written between 2022 and 2024. Royalties take time to flow. The pipeline didn't reach its normal collection rhythm until late 2024, which is why the early years look quiet. The recognition, though, has been anything but quiet. "C H E E R S" went RIAA Gold in late 2025. Chris Brown's 11:11 (Deluxe), home to the top track "My Slime," won Best R&B Album at the 2025 Grammys. Bernarr collected his first Grammy for BLOOM at the 2026 ceremony. The earnings are now catching up to the credentials and the catalog is settling toward stability.

    Streaming drives roughly 70% of last-twelve-month earnings, almost all of it through mechanical royalties, money paid to the publisher every time a song is streamed. The platform mix underneath is important. Apple Music generates about 58% of those mechanical earnings; Spotify, a distant second, about 18%. Apple has no free tier; every stream comes from a paying subscriber, and on this catalog, Apple pays meaningfully more per mechanical stream than Spotify on a direct-payment basis. The dollars are skewed toward the platform that pays best.

    Additionally, the top five tracks contribute about 80% of last-twelve-month earnings, with the remaining 20% spread across the rest, a meaningful cushion for a catalog this young.

    In the last fourteen months: a Gold certification on the top track, a Best R&B Album Grammy on the album that hosts the second, and a first Grammy for the writer behind the third. The catalog isn't looking back. It's just hitting its stride.

    Artist & Song Information

    "C H E E R S" (2024) is a deep cut on PARTYNEXTDOOR's PARTYNEXTDOOR 4 — a #10 Billboard 200 debut, RIAA Gold (Nov. 2025), and past one billion Spotify streams. Critics flagged it as the album's most radio-friendly standout despite not being released as a single, a profile that supports durable playlisting. PND is a tier-one OVO Sound signing with 28M+ monthly Spotify listeners and major writing credits for Drake, Rihanna ("Work"), and Beyoncé.

    "My Slime" (2024) is a deep cut on Chris Brown's 11:11 (Deluxe), which won Best R&B Album at the 2025 Grammys — the first deluxe edition ever to take the category. The original 11:11 debuted at #9 on the Billboard 200, Brown's 12th consecutive US top-10. Brown is a marquee catalog asset with Diamond hits ("No Guidance," "Under the Influence") and 21 new RIAA certifications in 2025 alone, signaling durable back-catalog earnings that lift his deep cuts alongside the singles.

    "Mango Butter" (2022) is the breakout, fan-favorite cut from Durand Bernarr's Wanderlust and a live-set staple. Bernarr is a respected R&B/soul name with a deep collaborator résumé — long-time backing vocalist for Erykah Badu, with feature and session credits across Anderson .Paak, Kaytranada, and The Internet. He won his first Grammy in 2026, taking Best Progressive R&B Album for BLOOM.

    Other Information

    How This Investment Works. As the winning bidder, you will collect 100% of payments until you receive the fixed amount of $26,000 from this asset. 

    Early Repayment. The seller of this asset can repay the remaining advance balance at any time. For example, If after two years, this asset has paid you $20,000 and the seller wants the royalty stream back, they can pay you $6,000 to reclaim the royalties.

    Rights Included. Not all royalty rights are included for every song in the listing. To see a breakdown of what is included for each song, view the tracklist here.

    This catalog cannot be added to the Secondary Market of The Exchange. 

    Financials

    Royalty Payors


    Works

    “C H E E R S” (2024) is the catalog's top earner. A late-2025 RIAA Gold certification and ongoing TikTok activity around the song support continued playlist placement on PARTYNEXTDOOR's most-streamed cuts.

    “MY SLIME” (2024) shows earnings that are tracking a normal post-release pattern for a deluxe-edition deep cut: a peak distribution shortly after release, followed by a measured decline that the Best R&B Album Grammy halo has helped slow.

    “Mango Butter“ (2022) is the only track in the catalog with a documented sync placement (Netflix, June 2025). Bernarr's 2026 Grammy win for BLOOM is the most recent positive catalyst.

    The catalog shows notable diversity with over 20% of earnings in the Last 12 Months coming from outside the Top 5. 

    WorksEarningsShare
    C H E E R S$4,51929%
    My Slime$2,86519%
    Mango Butter$1,89612%
    Midnight Freak$1,77712%
    Leveled$1,0737%
    Other$3,28121%

    Income Types

    Mechanical is the largest line, paid to the publisher each time a song is streamed. The notable feature is the platform mix within it: Apple Music generates about 58% of mechanical earnings, with Spotify a distant second at ~18%. Apple has no free tier, so its revenue per stream is higher than Spotify's paid-and-ad-supported blend, enough that publishers earn more per Apple stream, even though Apple allocates a smaller share of revenue to rights holders. The catalog's Apple skew lifts both its dollars per stream and its mechanical share of total income.

    Income TypesEarningsShare
    Mechanical$9,31860%
    Performance$4,43529%
    Sync$9386%
    Streaming Synchronization$7205%

    Sources

    Streaming is the primary engine of the catalog. The platform mix is heavily Apple Music-weighted; the implications for the catalog's effective royalty rate are discussed in the Mechanical section above.

    SourcesEarningsShare
    Streaming$11,10972%
    Music Rights Org$2,30615%
    Streaming Video$9386%
    Music Publisher$6844%
    Satellite Radio$1621%
    Other$2111%

    Users

    UsersEarningsShare
    Apple Music$6,59343%
    Spotify$2,01113%
    Bmi$1,98713%
    Youtube$1,4089%
    Netflix$9386%
    Other$2,47416%

    * Historic royalty income does not guarantee future royalty income. Future royalty income depends upon future sales and licensing revenue generated by the intellectual property associated with this listing. All earnings analysis and investment decisions are investors’ sole responsibility per Royalty Exchange’s Terms of Use.

    Media

    Included Works

    Work TitleWork IDAlternate ID
    ALL SUMMER FEAT ANT CLEMONS69284876191601
    Already Best Friends130310
    C H E E R S67985740147604
    Cam Girl130444
    CONDITIONAL138849
    CRIME138850
    CURIOUS138882
    FLOWERS AND ROSES69384002191627
    H I130439
    HEARTBEAT13385385