Royalty Exchange
Back to Marketplace

Listing 6718

Outasight - Songwriter + Publisher Royalties

Artwork for Outasight - Songwriter + Publisher Royalties
    • BMG
    • BMI
    • Cook Classics (ft. Outasight)
    • Outasight
    • Jacob Banks
    • Outasight (ft. Chiddy Bang)
    • Classified (ft. B.o.B)
    • Chelsea Perkins
    • Serengeti
    • Santino
    • The Classic Crime
    • Outasight (ft. RJmrLA)
    • …

    Offers

    Sale Price

    $351,400

    8.15 x LTM

    Listing Tools

    Price Tracker

    39 offers made by 12 buyers

    • List price
    • Closed
    • Accepted

    Offer History

    • $351,400

      Buyer 1 made 145 days ago

      Accepted
    • $351,000

      Buyer 3 made 145 days ago

      Outbid
    • $349,200

      Buyer 3 made 145 days ago

      Increased
    • $347,000

      Buyer 1 made 145 days ago

      Outbid
    • $344,400

      Buyer 3 made 145 days ago

      Increased

    About

    $43,115
    3-Year Average
    $56,917
    Earnings Since 2015
    $813,384
    9.42 Years
    Works Included
    84
    $***,***
    $255,000
    Owner Last Active
    Over 30 days ago
    Life of Rights
    Musical Composition
    Mechanical, Public Performance, Sync
    No
    Sources
    Internet Streaming, AM/FM & Satellite Radio, TV/Film/Commercial Performances, etc.
    Payors
    Learn more about rights and royalties

    The information on this listing was accurate as of the last earning statistics update on

    Overview

    Most catalogs would kill for one of these placements. Outasight's catalog has hundreds.

    Built around a Yonkers-born singer-songwriter best known for "Tonight Is the Night" — the single Pepsi turned into a 2012 Super Bowl moment alongside Michael Jackson, Britney Spears, and Mariah Carey — this catalog has been picked up, licensed, and re-licensed across nearly every major studio, network, and brand category over the last decade. Its compositions have scored ad campaigns for Toyota, Dell, Google, Sony PlayStation, and AT&T DirecTV. They've carried trailers for Universal's Secret Life of Pets 2, Disney's Ron's Gone Wrong, Netflix's Murder Mystery 2, Hulu's The Valet, and Disney+'s Timmy Failure. They've fronted CBS College Football, the NFL Pro Bowl, NBC's NBA Tip Off promos, and ABC's promo campaign for Jimmy Kimmel Live. The catalog is represented on the publishing side by BMG, one of the three largest music publishers in the world.

    Here's what most sync stories miss: the upfront fee is only the front half of the deal. Every time one of those placements re-airs — every cable rerun of Central Intelligence, Shazam!, The Meg, Bad Moms Christmas, or Teenage Mutant Ninja Turtles: Out of the Shadows; every new season of Grey's Anatomy, Shameless, Hawaii Five-0, or Sex Lives of College Girls; every NFL telecast that opens with one of these tracks — BMI pays again. Those backend performance royalties have run within one percent of each other across the last two years, settled at roughly $17,400 per twelve months. The placements aged into the catalog.

    What has slowed is the new-deal pace. Upfront sync fees ran roughly $109,000 in 2021 and have stepped down each year since — explaining essentially all of the catalog's softness against its three-year average. But the channel is still working, and "The Real Thing" is doing the work: NBC's NBA Tip Off promos paid out roughly $5,400 in Q1 2026, ABC's Jimmy Kimmel Live promo paid out roughly $5,100 in Q4 2025, and Gila River Casino paid out roughly $12,700 on "Attention" in Q2 2024. One composition, two major-network placements in back-to-back quarters. New placements would be upside; the existing footprint is the floor.

    For an investor, that's the whole pitch. Sync got the songs in the door at Toyota, at Disney, at Netflix, at the NFL, at the NBA. The performance royalties are what those doors keep paying. At a 9.42-year dollar age, this isn't a catalog still trying to prove itself — it's one that already has.

    For a detailed analysis of earnings trends, cash flow projections, and investment criteria, review the full Investment Memorandum.

    Artist & Song Information

    The catalog centers on Outasight, a singer-songwriter raised in Yonkers, New York. His breakthrough single, "Tonight Is the Night" (2011), peaked at number 38 on the Billboard Hot 100, reached number 18 in Australia, was certified Platinum by the RIAA for over 1 million units sold in the U.S. The song became culturally embedded through a 2012 Pepsi Super Bowl campaign, was used as the player-introduction theme at the 2012 NHL All-Star Game in Ottawa; served as the theme song for the 1000th episode of WWE's Monday Night RAW; and was performed live on Late Night with Jimmy Fallon in January 2012. 

    The bulk of the catalog comes from a tight group of Outasight singles and album cuts released between 2011 and 2019 across four studio albums: Nights Like These (2012), Big Trouble (2015), Richie (2017), and Future Vintage Soul (2018). "Do Something Crazy (Good Vibes Only)" (2016) and "The Boogie" (2015). "Fire It Up" (2019) and "We Love It" (2018) sit just behind. These are the compositions that drove the catalog's major-brand and major-studio sync work: "Good Vibes Only" anchored the Toyota 2021–22 campaigns, the NordicTrack S22i deal, the Secret Life of Pets 2 trailer, and Apple TV's The Snoopy Show; "Fire It Up" carried 3M's 2022 commercial and the NordicTrack "Family Affair" campaign; "We Love It" anchored the 2019 CBS College Football promo package; "Wild Life" has accumulated roughly 90 million lifetime streams and was placed in Google's "Groceries" internet spot and Hulu's The Valet.

    The catalog also includes meaningful outside-performer co-writes. "The Real Thing," produced by Cook Classics with an Outasight feature, has been placed in Dell's Olympic campaign and Disney's Ron's Gone Wrong, and is the source of the 2025 ABC Jimmy Kimmel Live promo. "Attention," performed by Chelsea Perkins, was the underlying composition for the Gila River Casino 2023 and 2024 campaigns. 
     

    Other Information

    Earnings Note. BMG shifted from bi-annual to quarterly payments beginning in 4Q2022.

    Earnings Note. The Earnings by Period chart below reflects royalty payments based on two distinct statement sets from different payors. The Last 12 Months include:BMI Statements: 1Q-2025 through 4Q-2025 (Quarterly)
    BMG Statements: 2Q-2025 through 1Q-2026 (Quarterly)

    Tracklist Note. For a small portion of the tracks, this offering includes only the songwriter's share of public performance royalties collected by BMI. Please see the tracklist below for the rights conveyed on each set of works.

    Publisher+Songwriter Tracklist
    Songwriter Only Tracklist

    Financials

    Royalty Payors


    Earnings By Period

    Quarterly, as statements report

    • Domestic
    • International
    • Net

    Note: The earnings reported above reflect royalties as they have been reported from the multiple payors included in this listing. If one of the payors has not yet paid for a reported period it will not be reflected above. Please see “Other Information” for details.

    Note: BMI earnings are reported for the period in which they were earned, not for the period they are paid.

    Note: BMI’s Q2-2020 distribution includes non-recurring settlement payments from the Radio Music Licensing Committee (RMLC). The settlement represents a rate increase for radio performances in years 2017-2019. You can view the amount of the settlement in the Raw Data file under the “raw_music_user” column with the label: “RMLC2017 STLMNT”, “RMLC2018 STLMNT” and “RMLC2019 STLMNT.”

    Year20222023202420252026*
    Earnings$90,819$75,002$53,826$37,274$8,769

    * 2026 earnings have not been paid for the entire year.


    Works

    The Real Thing (2018), performed by Cook Classics featuring Outasight, is currently the largest single LTM contributor at roughly 31% of the trailing twelve months. The composition picked up two major-network sync placements paying out in back-to-back quarters: ABC's Jimmy Kimmel Live promo paid out roughly $5,100 in Q4 2025, and NBC's NBA Tip Off promos paid out roughly $5,400 in Q1 2026.

    The Boogie (2015) is the catalog's largest lifetime earner at roughly $125,000 and contributes roughly 21% of LTM. Has accumulated nearly 9.3 million Spotify streams.

    Tonight Is the Night (2011) is the catalog's most recognizable composition and biggest streamer, with over 42 million lifetime Spotify streams. Contributes roughly 8% of LTM.

    WorksEarningsShare
    The Real Thing$13,37331%
    Boogie$9,09821%
    Good Vibes Only Feat Cook Clas$4,26610%
    Tonight Is The Night$3,6278%
    If I Fall Down$1,6424%
    Other$11,11026%

    Income Types

    Performance (56% of LTM) The largest income type, generated when the catalog's compositions are publicly performed — primarily in films, TV shows, advertising, and on streaming platforms. Collected through both BMI (for songwriter performance income) and BMG (for publisher performance income). The BMI side has run effectively flat across the last four distributions versus the prior four, within roughly one percent. Roughly 58% of LTM performance income comes from TV and film broadcast detections.

    Synchronization (29% of LTM) Upfront placement fees for the use of the catalog's compositions in films, TV shows, trailers, ads, and similar productions. Collected through BMG. Down meaningfully versus the prior twelve-month period as the upfront fee cycle has cooled from its 2019–2022 peak, but lifted in the trailing window by two major-network placements on "The Real Thing": NBC's NBA Tip Off promos paid out in 1Q2026, and ABC's Jimmy Kimmel Live promo paid out in 4Q2025, alongside a smaller NFL Pro Bowl placement also paying in 4Q2025.

    Income TypesEarningsShare
    Performance$24,00756%
    Sync$12,44929%
    Streaming Mechanical$5,38913%
    Mechanical$5441%
    Download Mechanical$3591%
    Other$3671%

    Sources

    TV-Film (44% of LTM) The single largest income source. Captures both the upfront sync fees (BMG synchronization) and the continuing broadcast detection royalties (BMI performance) generated when the catalog's compositions air in films, television shows, advertising, and trailers. This is the source that most directly reflects the catalog's sync footprint working through both its upfront and back-end revenue mechanics.

    Synchronization (15% of LTM) Direct sync source category, lifted in the trailing window by the NBC NBA Tip Off promos paying out in 1Q2026 and ABC's Jimmy Kimmel Live promo paying out in 4Q2025 — both on "The Real Thing."

    Streaming (12% of LTM) On-demand audio streaming on Spotify, Apple Music, YouTube, and other services. Carries both the publisher mechanical share and the songwriter performance share generated by streaming activity.


     

    SourcesEarningsShare
    TV and Film$18,96444%
    Sync$6,37515%
    Streaming$5,13212%
    Streaming Video$3,8389%
    Music Publisher$3,6568%
    Other$5,14912%

    * Historic royalty income does not guarantee future royalty income. Future royalty income depends upon future sales and licensing revenue generated by the intellectual property associated with this listing. All earnings analysis and investment decisions are investors’ sole responsibility per Royalty Exchange’s Terms of Use.

    Media

    Included Works