Listing 6837
L.A Salami - Songwriter Royalties

- Acoustic
- PRS for Music
- L.A Salami
- Singer-Songwriter
- …
Offers
Sale Price
$21,000
7.81 x LTM
Listing Tools
Price Tracker
3 offers made by 3 buyers
- List price
- Closed
- Accepted
Offer History
$21,000
Buyer 3 made 81 days ago
Accepted$20,400
Buyer 2 made 82 days ago
Outbid$20,001
Buyer 1 made 82 days ago
Outbid
About
- $2,688
- 3-Year Average
- $3,904
- Earnings Since 2020
- $23,779
- 7.15 Years
- Works Included
- 27
- $**,***
- $20,000
- Owner Last Active
- Over 30 days ago
- Life of Rights
- Musical Composition
- Public Performance
- No
- Payor
The information on this listing was accurate as of the last earning statistics update on
Overview
L.A. Salami, the recording name of British singer-songwriter Lookman Adekunle Salami, has spent the last decade building one of the more distinctive voices in contemporary British indie: Dylan-esque wordplay wound around blues shuffles and folk-rock. This catalog contains twenty-seven works spanning four studio albums, EPs, and standalone singles released between 2013 and 2023.
The interesting feature is where the money comes from. The catalog earns almost entirely outside the United Kingdom: about 97% of the last twelve months of performance royalties came from international territories, with Germany contributing roughly 78%. Germany is one of the world's five largest recorded music markets according to the IFPI's 2026 Global Music Report, so the catalog is anchored to a deep rights economy.
Trailing twelve months earnings of $2,747 USD are softening about 35% against the prior twelve, driven almost entirely by a smaller 2025 October payment from GEMA (roughly $2,044 vs. $3,476 in 2024). Track-level concentration is present but not extreme: "We'll Solve It After" (2019) is 32% of LTM and the top five together sit at about 78%, with 22% still spread across the remaining twenty-two songs.
Behind the earnings is an artist still very much active. Salami has a European tour running through spring 2026 with confirmed dates in Berlin, Köln, and Hamburg. Those are the same German cities anchoring the catalog's biggest annual settlement, and continued live activity in that market helps reinforce the audience that pays it.
Artist & Song Information
L.A. Salami, born Lookman Adekunle Salami and raised in foster care in London, broke through in 2012 supporting Lianne La Havas on tour. He released his debut EP in November 2013, and Burberry brought him in the following year to open its Spring/Summer 2014 menswear runway show in London and to soundtrack the accompanying advertising campaign. Zane Lowe, the flagship tastemaker DJ at BBC Radio 1 at the time (now the lead host at Apple Music 1), singled him out as a future BBC Radio 1 star, and Esquire placed him on its "Ten Most Stylish Men In Music" list.
The City of Bootmakers (April 2018) is the catalog's most heavily represented album, recorded in Berlin with producer Robbie Moore and named Album of the Day by BBC 6 Music. Six of its tracks sit in this catalog: the flagship singles "Generation L(Ost)" and "Jean Is Gone," plus "I Need Answers," "The Talisman On The Age Of Glass," "What Is This?," and "You're Better Off Alone."
Ottoline (October 2022) is represented by seven tracks: "As Before," "Day To Day In The Pandemic," "Desperate Times Mediocre Measures," "Lady Winter," "Peace Is Fine," "Peace Of Mind," and "Systemic Pandemic." Ottoline drew wide UK critical support and continues to be actively promoted, with an expanded eighteen-track Director's Cut (Deluxe) released in 2024 and The Ottoline Demos: 2020-2021 following in February 2025.
Other Information
Seller Buyback Option. As a part of the purchase agreement for this asset, the seller will have the option to buy the royalty stream back from the purchaser for 150% of the sale price at any time during the two-year period after the initial sale.
Exchange Rates. Royalties for this asset are reported by PRS in Great British Pounds (GBP). To calculate royalty payments in U.S. Dollars (USD), Royalty Exchange applies the average historical exchange rate for the distribution month (via X-rates.com). Future royalties will be paid to Royalty Exchange in GBP converted to USD upon receipt and then paid in USD to the winning investor. The receiving bank may increase the exchange rate by up to 2.5% as a transaction fee.
Distribution Schedule: PRS distributes two types of distributions, labeled “main” and “mini”. Main distributions are made four times per year: April, July, October, and December. Mini distributions are paid monthly. Historically, these payments did not occur every month; starting in August of 2025, they are expected to occur every month. As the winning bidder, you'll be entitled to all main and mini distributions.
Payments are represented in the financial bar charts of this listing based on the dates below.

Financials
Earnings By Period
Monthly, as statements report
- Domestic
- International
- Net
| Year | 2022 | 2023 | 2024 | 2025 | 2026* |
|---|---|---|---|---|---|
| Earnings | $3,852 | $4,852 | $4,409 | $2,764 | $465 |
* 2026 earnings have not been paid for the entire year.
Works
We'll Solve It After — 2019 A standalone single released 1 November 2019 and the catalog's largest single earner at 31.9% of LTM ($878). The song achieved a positive CAGR of 7.76%, indicating overall growth across the five-year period.
Generation L(Ost) — 2018 Flagship single from The City of Bootmakers, 18.4% of LTM ($507).
Jean Is Gone — 2018 Album single from The City of Bootmakers, 14.0% of LTM ($385.63), with approximately 410,000 Spotify streams.
| Works | Earnings | Share |
|---|---|---|
| We'll Solve It After | $875 | 33% |
| Generation L(ost) | $458 | 17% |
| Jean Is Gone | $379 | 14% |
| The Cage | $233 | 9% |
| Day To Day In The Pandemic | $155 | 6% |
| Other | $588 | 22% |
Income Types
| Income Types | Earnings | Share |
|---|---|---|
| Performance | $2,688 | 100% |
Sources
Foreign PRO Settlements (85.5% of LTM) — International performing-rights societies (GEMA in Germany, SUISA in Switzerland, SACEM in France, plus their peers across Continental Europe, Australia, and Asia) settle reciprocal broadcast and general-licensing royalties into PRS. This is the catalog's dominant income stream and lands almost entirely in the October distribution each year. The 2025 settlement softened relative to 2024 but continues to arrive on the same annual rhythm.
| Sources | Earnings | Share |
|---|---|---|
| Music Rights Org | $2,298 | 85% |
| Streaming | $251 | 9% |
| TV and Film | $42 | 2% |
| Radio | $1 | 0% |
| Download | $0 | 0% |
| Other | $96 | 4% |
* Historic royalty income does not guarantee future royalty income. Future royalty income depends upon future sales and licensing revenue generated by the intellectual property associated with this listing. All earnings analysis and investment decisions are investors’ sole responsibility per Royalty Exchange’s Terms of Use.
Media
Included Works
| Work Title | Work ID | Alternate ID |
|---|---|---|
| As Before | 517288BR | |
| Day To Day In The Pandemic | 517288AW | |
| Desperate Times Mediocre Measur | 517288AS | |
| Generation L(Ost) | 216800HN | |
| Gets You Wondering | 216800FW | |
| I Can't Slow Her Down | 216800HP | |
| I Need Answers | 307009FM | |
| I Wear This Because Life Is War | 216800HM | |
| Jean Is Gone | 307009FQ | |
| Lady Winter | 517288BQ |