Royalty Exchange
Back to Marketplace

Listing 6889

Air Supply, Grease 2 Soundtrack + More Songwriter Royalties

Artwork for Air Supply, Grease 2 Soundtrack + More Songwriter Royalties
    • ASCAP
    • BMI
    • Air Supply (1985 cover); Rob Hegel (1982 original)
    • Peter Frechette (Grease 2 soundtrack)
    • David Morales & Elle Cato
    • Sarah Dash
    • Rob Hegel
    • …

    Offers

    Sale Price

    $50,000

    13.65 x LTM

    Listing Tools

    Price Tracker

    11 offers made by 6 buyers

    • List price
    • Closed
    • Accepted

    Offer History

    • $50,000

      Buyer 4 made 57 days ago

      Accepted
    • $38,800

      Buyer 6 made 57 days ago

      Outbid
    • $38,200

      Buyer 4 made 57 days ago

      Outbid
    • $38,000

      Buyer 6 made 57 days ago

      Outbid
    • $34,800

      Buyer 4 made 57 days ago

      Outbid

    About

    $3,663
    3-Year Average
    $4,135
    Earnings Since 2009
    $42,523
    42.22 Years
    Works Included
    8
    $**,***
    $30,000
    Owner Last Active
    Over 30 days ago
    Term Adv 30-YearTerm Advance 30-Year
    Years Remaining
    30.00
    Expiration Date
    Sep 16, 2056September 16, 2056
    Musical Composition
    Public Performance
    No
    Payors
    Learn more about rights and royalties

    The information on this listing was accurate as of the last earning statistics update on

    Overview

    A Billboard top twenty single from 1985 and a song from a cult 1982 Paramount musical carry this catalog, and both are still in active circulation more than forty years after they were written. "Just as I Am" reached number 19 on the Billboard Hot 100 for Air Supply in 1985 and remains in the duo's live set today, generating concert royalties alongside its streaming income. "Do It for Our Country" appeared in Grease 2, and the film's long afterlife on subscription and ad-supported video has made a forty-four-year-old movie song the catalog's fastest-growing song.

    The catalog includes the writer’s share of public performance royalties, collected through both ASCAP and BMI. Royalties arrive when these songs are streamed, broadcast, played in a film or television program, or performed live. Streaming is the largest single source at 44% of the last twelve months, with video streaming adding another 11% as the placements in Grease 2 travel with the film. Live performance contributes 15%, unique for a catalog of this age, because it is tied to an act that continues to tour. 

    With a dollar age over 40 years, these songs have outlived vinyl, radio, CD and downloads, and are compounding at 7.7% a year over the last five years. For a buyer, that is the whole case: a catalog that has already survived every format it was born into, and is still picking up new audiences.

    Artist & Song Information

    These songs were written for a run of major label projects between 1978 and 1985, and three of them found recording artists whose work is still in circulation today.

    Air Supply are one of the most commercially successful soft rock acts of the 1980s, a British Australian duo whose run of adult contemporary ballads made them a fixture of the decade's charts and who continue to tour internationally more than forty years on. "Just as I Am" was the lead single from their self-titled 1985 album on Arista, released in May 1985. It reached number 19 on the Billboard Hot 100 and was the duo's last major chart entry there; the album itself was certified gold and peaked at number 26 on the Billboard 200. The song had a life before that version: Rob Hegel wrote it with Alice Cooper guitarist Dick Wagner in 1982 and recorded it himself first, three years before Air Supply.

    Peter Frechette recorded "Do It for Our Country" for Grease 2, the 1982 Paramount sequel directed and choreographed by Patricia Birch and starring Maxwell Caulfield and Michelle Pfeiffer. Frechette performed the number as Louis DiMucci in the film's fallout shelter scene, and it appears on the original motion picture soundtrack released 11 June 1982. 

    Sarah Dash was a founding member of Labelle and a longtime vocalist and touring collaborator with the Rolling Stones and Keith Richards. "Sinner Man" was the lead single from her 1978 self-titled debut, reaching number 9 on Billboard's dance and disco chart across thirteen weeks and number 71 on the Hot 100. It remains her best known solo recording. "We're Lovers After All" appeared on the same album.

    David Morales & Elle Cato brought "Sinner Man" back to the dance floor in 2022. Morales is a Grammy winning producer and DJ and one of the defining figures of American house music. "Holding Me Touching Me," released 16 September 2022, is a new version of the 1978 composition.

    Other Information

    Earnings Note. The Earnings by Period chart below reflects royalty payments based on two distinct statement sets from different payors. The Last 12 Months include:

    BMI Statements: 2Q2025 through 1Q2026 (Quarterly)
    ASCAP Statements, domestic: 3Q2025 through 2Q2026 (Quarterly)
    ASCAP Statements, international: 4Q2025 through 3Q2026 (Quarterly)

    BMI licenses US royalties for the songs. International royalties should flow through ASCAP on all songs but any that are paid via BMI will also be included.

    Financials

    Royalty Payors


    Earnings By Period

    Quarterly, as statements report

    • Domestic
    • International
    • Net

    Note: The earnings reported above reflect royalties as they have been reported from the multiple payors included in this listing. If one of the payors has not yet paid for a reported period it will not be reflected above. Please see “Other Information” for details.

    Note: BMI earnings are reported for the period in which they were earned, not for the period they are paid.

    Note: BMI’s Q2-2020 distribution includes non-recurring settlement payments from the Radio Music Licensing Committee (RMLC). The settlement represents a rate increase for radio performances in years 2017-2019. You can view the amount of the settlement in the Raw Data file under the “raw_music_user” column with the label: “RMLC2017 STLMNT”, “RMLC2018 STLMNT” and “RMLC2019 STLMNT.”

    Year20222023202420252026*
    Earnings$2,839$4,343$4,763$4,188$1,904

    * 2026 earnings have not been paid for the entire year.


    Works

    Just as I Am — 1982
    The largest earner at 53% of the last twelve months, and the most diversified track in the catalog, drawing income from streaming, live performance, radio, satellite radio and television. Its current level is in line with the $1,858 annual average it held from 2017 through 2022.

    Do It for Our Country — 1982
    About 41% of the last twelve months and the clearest growth story here, up roughly 6% year over year and running about 55% above its 2017 to 2022 average. Income is split almost evenly between domestic and international, with video streaming and television driving the increase as Grease 2 continues to circulate.

    Holding Me Touching Me — 2022
    The newest recording in the catalog and about 5% of the last twelve months. Earnings stepped up sharply in 2024 and have held a consistent level since, with roughly 99% coming from outside the United States.

    Sinner Man — 1978
    About 2% of the last twelve months and growing from a small base, having earned more in the trailing year than in any recent full calendar year. Roughly 79% of that income is international, and the song's continued use in dance music is the reason it has a 2022 recording attached to it.
     

    WorksEarningsShare
    Just As I Am$1,93753%
    Do It For Our Country$1,49141%
    Holding Me Touching Me$1785%
    Sinner Man$552%
    Tommy Judy And Me$10%
    Other$00%

    Income Types

    Income TypesEarningsShare
    Performance$3,663100%

    Sources

    Streaming (44% of LTM)
    The largest source and the most stable, running at a consistent level quarter to quarter across both anchor songs. About 63% of it comes from outside the United States, reflecting how widely these two songs are catalogued on international services.

    Live Performance (15% of LTM)
    Concert royalties, almost entirely from "Just as I Am" being performed. This source is lumpy by nature because it follows touring schedules, and it was the main reason the prior twelve months ran higher than the current window.

    Streaming Video (11% of LTM)
    Driven almost entirely by "Do It for Our Country" and the availability of Grease 2 across subscription and free ad supported video services. 
     

    SourcesEarningsShare
    Streaming$1,61344%
    Live Performance$54315%
    Streaming Video$42011%
    TV and Film$1815%
    Radio$1434%
    Other$76421%

    * Historic royalty income does not guarantee future royalty income. Future royalty income depends upon future sales and licensing revenue generated by the intellectual property associated with this listing. All earnings analysis and investment decisions are investors’ sole responsibility per Royalty Exchange’s Terms of Use.

    Media

    Included Works

    Work TitleWork IDAlternate ID
    DO IT FOR OUR COUNTRY309321904670293, 340244444
    HEARTLESS548192904176500, 933462787
    HOLDING ME TOUCHING ME91774951257935162
    IF I CARED ABOUT YOU701298905484945
    JUST AS I AM400130390784588, 922776774, 935034160, 935041859
    SINNER MAN4904073601349163
    TOMMY JUDY AND ME5002995381527785, 904730102
    WE RE LOVERS AFTER ALL9128927861618917, 530226443, 935671556