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Listing 6905

"At The Club" by Jacquees feat Dej Loaf - Publishing Royalties

Artwork for "At The Club" by Jacquees feat Dej Loaf - Publishing Royalties
    • Publishing
    • Dej Loaf
    • AdminMP
    • Jacquees
    • Fixed Return
    • …

    Offers

    Sale Price

    $119,618

    3.99 x LTM

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    9 offers made by 4 buyers

    • List price
    • Closed
    • Accepted

    Offer History

    • $119,618

      Buyer 1 made 52 days ago

      Accepted
    • $118,118

      Buyer 3 made 53 days ago

      Outbid
    • $116,510

      Buyer 4 made 54 days ago

      Outbid
    • $115,010

      Buyer 1 made 54 days ago

      Outbid
    • $112,000

      Buyer 1 made 55 days ago

      Increased

    About

    $29,949
    3-Year Average
    $30,799
    Earnings Since 2017
    $319,363
    9.39 Years
    Work Included
    1
    —
    $82,500
    Owner Last Active
    Over 30 days ago
    Fixed-Return
    Fixed-Return Amount
    $197,000
    Musical Composition
    Mechanical, Public Performance, Sync
    No
    Payor
    AdminMP
    Learn more about rights and royalties

    The information on this listing was accurate as of the last earning statistics update on

    Overview

    "At The Club" came out in 2017 as a Cash Money single. It reached No. 86 on the Billboard Hot 100 and No. 40 on Hot R&B/Hip-Hop Songs, and it went platinum. Nine years later, in the last twelve months alone, it drew 137.3 million reported plays and paid just under $30,000, and that money arrived from 85 territories rather than one market holding on.

    The income comes from three channels. Mechanical royalties, paid when the song is streamed or sold, are the largest at 53%. Public performance is 25% of the total, and it has paid between $7,680 and $8,375 in every one of the last four full years. Streaming synchronization, paid when a song is used in a video, is the newest and fastest of the three at 22%. About 70% of the money is domestic. The other 30% comes from abroad, led by the United Kingdom, Australia, and Canada. The four most recent quarters landed between $6,809 and $8,169, a tight range for a song this old.

    The last twelve months appear to have softened about 16%. The prior year, though, included a one-time payment from the Mechanical Licensing Collective, which collects US streaming mechanicals. Set that payment aside on both sides, and the gap narrows to about 4%. Measured against the year before that, the current period is up.

    The case here is durability, not growth. A platinum record that still moves 137 million plays a year, across 85 territories and three royalty types, has settled at a level it holds. Because the return is fixed, the question is not how high earnings can climb but how long the song takes to pay that amount out. That rewards exactly what this catalog has shown for four straight years: it keeps showing up. The upside sits in streaming synchronization, which has more than tripled since 2022 as video platforms pay more for older songs.

    Artist & Song Information

    The catalog is one song, recorded by two artists who came up together in the 2010s.

    Jacquees was born Rodriquez Jacquees Broadnax in Georgia in 1995. He signed to Cash Money Records in 2014 and became one of the decade's best-known young R&B singers. He holds several RIAA multi-platinum records. He has been nominated at the BET Awards and the iHeartRadio Music Awards, including for Best Male R&B/Pop Artist.

    DeJ Loaf was born Deja Monét Trimble in Detroit in 1991. She has recorded since 2011 and has worked with Roc Nation, BMG, and Columbia. XXL named her to its 2015 list of the most promising new rappers, and she opened for Nicki Minaj on tour that year. Her half-sung, half-rapped style was widely copied in Midwestern hip-hop.

    "At The Club" puts those two voices together. Cash Money released it in 2017, with a video in September. It reached No. 86 on the Billboard Hot 100 and No. 40 on Hot R&B/Hip-Hop Songs, and went platinum. It appears on the pair's joint project "Fuck a Friend Zone," and the two reunited for a sequel in February 2025.

    Other Information

    How This Investment Works. As the winning bidder, you will collect 100% of payments until you receive the fixed amount of $197,000.00 from this asset. 

    Early Repayment. The seller of this asset can repay the remaining advance balance at any time.

    Earnings Note. 1Q-2023 and 4Q-2024 contain large one-time payments (approximately $11,000 and $4,000, respectively) from a YouTube back-period batch and a Mechanical Licensing Collective catch-up. Any similar payments in the future will be payable to the buyer.

    This catalog cannot be added to the Secondary Market of The Exchange. 

    Financials

    Earnings By Period

    Quarterly, as statements report

    • Domestic
    • International
    • Unreported
    • Net
    Year20222023202420252026*
    Earnings$18,578$39,612$31,724$30,019$15,343

    * 2026 earnings have not been paid for the entire year.


    Works

    "At The Club" (2017) is the catalog's only composition and 100% of its last-twelve-month earnings, drawing 137.3 million reported plays across 85 territories in that window and 943.2 million reported plays since release. Its quarterly income has held between $6,810 and $8,170 across the four most recent distributions.

    WorksEarningsShare
    At The Club$29,949100%

    Income Types

    Mechanical is the largest single type and has grown from $10,050 in 2022 to $15,000 in 2025, tracking the shift of listening onto streaming platforms.

    Performance is the catalog's most predictable line, paying between $7,680 and $8,375 in each of the last four full years.

    Streaming Synchronization has risen from a negligible $160 in 2022 to $7,050 in 2025, the fastest-growing type in the catalog.

    Income TypesEarningsShare
    Mechanical$15,75153%
    Performance$7,51525%
    Streaming Synchronization$6,68222%
    Other$00%

    Sources

    Streaming is the dominant source, covering both audio and video platforms, and the channel that produced 59.96 million of the catalog's reported plays in the last twelve months.

    Music Publisher is International sub-publishing income routed through territory partners, concentrated in the United Kingdom and Australia. 

    Music Rights Organization is Public performance and US streaming mechanical income collected by the rights bodies that license the composition on a blanket basis.

    SourcesEarningsShare
    Streaming$13,62245%
    Music Publisher$8,17027%
    Music Rights Org$7,70726%
    Radio$510%
    Record Label$310%
    Other$3681%

    * Historic royalty income does not guarantee future royalty income. Future royalty income depends upon future sales and licensing revenue generated by the intellectual property associated with this listing. All earnings analysis and investment decisions are investors’ sole responsibility per Royalty Exchange’s Terms of Use.

    Media

    Included Works

    Work TitleWork ID
    At The Club12128