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Listing 6940

Fee, Vicky Beeching, + more - Songwriting Royalties

Artwork for Fee, Vicky Beeching, + more - Songwriting Royalties
    • Christian Worship
    • ASCAP
    • Fee
    • Vicky Beeching
    • Songwriter
    • …

    Offers

    Sale Price

    $11,601

    8.53 x LTM

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    21 offers made by 6 buyers

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    • Accepted

    Offer History

    • $11,601

      Buyer 5 made 25 days ago

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    • $11,501

      Buyer 2 made 26 days ago

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      Buyer 5 made 26 days ago

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    About

    $1,360
    3-Year Average
    $2,183
    Earnings Since 2009
    $36,400
    17.78 Years
    Works Included
    34
    $**,***
    $10,000
    Owner Last Active
    26 days ago
    Term Adv 30-YearTerm Advance 30-Year
    Years Remaining
    30.00
    Expiration Date
    Oct 17, 2056October 17, 2056
    Musical Composition
    Public Performance
    No
    Payor
    Learn more about rights and royalties

    The information on this listing was accurate as of the last earning statistics update on

    Overview

    When Christian rock band Fee released “Glory To God Forever” in 2009, it hit No. 1 on the iTunes Christian and Gospel chart in under 12 hours. The song has earned royalties every year since, totaling more than $15,000 over 17 years, and other artists keep recording it, including Tye Tribbett in 2023.

    Most of the rest of the catalog was recorded by British worship leader Vicky Beeching, whose music earned her the Cranmer Award for Worship from the Archbishop of Canterbury in 2017. These songs were written for congregations to sing, and many have been earning for more than 15 years. Over the last twelve months, they paid in 74 countries, including live performances in the Philippines and radio in Germany. More than half of that income came from outside the US, and streaming led at 54%.

    2024 was the catalog’s best year since 2014, lifted by a large US live performance payment, a one-time UK payment, and a short rise in UK streaming. Earnings have since settled back to $1,360 over the last twelve months, in line with each year from 2019 through 2023. That is about 50% below the prior twelve months, or about 22% without the UK payment and streaming rise, mostly from lower US streaming on “Glory To God Forever.” That song earns 43% of the catalog, and “Above All Else” earns 22% after its best year ever in 2025.

    For an investor, this is a chance to own a worship standard with 17 years of earnings history and a second track on the rise.

    Artist & Song Information

    This catalog is built from modern worship songs, the kind written for church services and sung by congregations week after week.

    Fee first recorded Glory To God Forever as the lead single from its 2009 album Hope Rising. The song reached No. 22 on Billboard's Christian Songs chart and has since been recorded by North Point Worship and by Tye Tribbett with Sharon Ann.

    Vineyard UK, the worship group of the Vineyard church movement in the UK and Ireland, recorded Above All Else and Awesome God (Your Voice). There's No One Like Our God appears on its platinum album Hungry (1999).

    British worship leader Vicky Beeching recorded most of the remaining songs on albums for Sparrow Records and Integrity Music, including Yesterday, Today and Forever (2005), Painting the Invisible (2007) and Eternity Invades (2010). In 2017, the Archbishop of Canterbury gave her the Cranmer Award for Worship.

    Together, these songs have earned for well over a decade, carried by church singing, streaming, and radio across dozens of countries.

    Other Information

    Earnings Note. 4Q2024 includes a one-time UK performance royalty of about $300 for 'Breath of God.' Any similar payments in the future will be payable to the buyer.

    Financials

    Earnings By Period

    Quarterly, as statements report

    • Domestic
    • International
    • Net
    Year20222023202420252026*
    Earnings$1,458$1,471$3,036$2,104$938

    * 2026 earnings have not been paid for the entire year.


    Works

    “Glory To God Forever” (2009) is the catalog’s anchor, earning 43% of the last twelve months. Most of its income comes from US streaming, and Pandora alone pays about a quarter of it.

    “Above All Else” (2002) earns 22% of the catalog and grew 10% over the last twelve months. Its income comes from US streaming, plus radio, streaming, and live performances in Germany and the UK.

    WorksEarningsShare
    Glory To God Forever$58443%
    Above All Else$29922%
    Yesterday, Today, And Forever$1108%
    Breath Of God$776%
    Undivided Heart$443%
    Other$24718%

    Income Types

    Income TypesEarningsShare
    Performance$1,360100%

    Sources

    Streaming is the largest source at 54%, mostly from US services. That is down from 61% in the prior twelve months.

    Live performances make up 21%, all from concerts and events outside the US, led by the UK and the Philippines. That is up from 15% in the prior twelve months.

    Radio makes up 10%, mostly from airplay outside the US, led by Germany and Spain. That is up from 4% in the prior twelve months.

    SourcesEarningsShare
    Streaming$73854%
    Live Performance$28021%
    Radio$13210%
    Retail Plays$191%
    TV and Film$101%
    Other$18213%

    * Historic royalty income does not guarantee future royalty income. Future royalty income depends upon future sales and licensing revenue generated by the intellectual property associated with this listing. All earnings analysis and investment decisions are investors’ sole responsibility per Royalty Exchange’s Terms of Use.

    Media

    Included Works

    Work TitleWork IDAlternate ID
    ABOVE ALL ELSE311091093907849835, 916532704
    ALL THAT I NEED907849826916529625
    AT ALL TIMES312292570909561100, 916532932
    AWESOME GOD907849837
    AWESOME GOD (YOUR VOICE)311089855
    AWESOME GOD YOUR VOICE310721225
    BLESSING AND HONOR881459652893870278
    BREAK OUR HEARTS880823550883619469, 916350067
    BREATH OF GOD881459585894733038
    CALL TO WORSHIP332042696