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Listing 6985

Chris Travis, Lil Peep + More - Publisher + Songwriter Royalties

Artwork for Chris Travis, Lil Peep + More - Publisher + Songwriter Royalties
    • BMI
    • AdminMP
    • Chris Travis
    • Lil Peep
    • Jquan
    • Black Smurf
    • …

    Offers

    Sale Price

    $46,300

    6.75 x LTM

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    About

    $6,860
    3-Year Average
    $6,725
    Earnings Since 2017
    $53,924
    12.00 Years
    Works Included
    14
    $**,***
    $45,000
    Owner Last Active
    1 day ago
    Life of Rights
    Musical Composition
    Mechanical, Public Performance, Sync
    No
    Sources
    Internet Streaming, AM/FM & Satellite Radio, Digital Downloads, CD Sales, TV/Film/Commercial Placements & Performances, etc.
    Payors
    Learn more about rights and royalties

    The information on this listing was accurate as of the last earning statistics update on

    Overview

    Twelve years after the release of these songs, earnings have barely moved year over year. The last twelve months came in 2% above the three-year average, and the three calendar years before that sat within a few hundred dollars of each other. The driving earners are “Crunch Time,” the 2013 SoundCloud hit from Memphis rapper Chris Travis, and 2014 release“Keep My Coo,” by then 18-year-oldLil Peep. Columbia records rereleased “Keep My Coo” in 2019, two years after Lil Peep’s death, on a career compilation album tied to a documentary about his life.

    This asset includes both the writer’s share and the publisher’s share of the compositions. The PRO pays the writer’s share directly to the writer, and the administrator collects the publisher’s share, including the publisher’s portion of performance income. Each time a song is streamed, it earns two royalties: a mechanical royalty and a performance royalty. Over the last twelve months, mechanical royalties made up 51% of income and performance royalties made up 47%. Nearly all of the performance income came from streaming rather than radio or live play.

    Both songs are more than a decade old, and their early declines are long behind them. Since 2023, annual income has stayed within a few percent from year to year, and the last twelve months came in slightly ahead of that. If that trend holds, this catalog is a solid contributor to a diverse royalty portfolio.

    Artist & Song Information

    Fourteen songs from the SoundCloud generation of American underground rap, centered on Memphis and the collectives that came out of it. 

    Six of the fourteen are Chris Travis songs. The Orange Mound, Memphis rapper and producer joined SpaceGhostPurrp’s Raider Klan in the early 2010s, left to found his own imprint, Water Boyz Entertainment, and later formed Seshollowaterboyz. After his 2012 debut mixtape Pizza and Codeine he moved at an unusual pace, releasing a dozen-plus projects across 2013 and 2014. “Crunch Time” (2013) came out of that stretch as a standalone single rather than an album cut, and the video did the work a label normally would. “9K Freestyle” (2013), “Bitch I’m Kenshin Travis” (2013), “Fabio” (2014), “No Purpose” (2014) and the “Crunch Time” remix come from the same mixtape run.

    "Keep My Coo" is one of Lil Peep’s earliest songs. He first uploaded it to SoundCloud in November 2014, when he just 18-years-old. It’s a raw snapshot of an artist still finding his voice, with early flashes of the charm and recklessness that would come to define his music. The upload was later deleted. On November 15, 2019, the second anniversary of his death, his family and label released the album Everybody’s Everything alongside a documentary of the same name, and Keep My Coo was one of the early SoundCloud songs it put on streaming services. Its video is cut from home footage he shot as a teenager, and the song was released as a standalone single in 2021.

    “Peace or Pieces” (2014) is a Xavier Wulf song featuring Black Smurf. Wulf, formerly known as Ethelwulf, is another Memphis Raider Klan alum who left to build Hollow Squad into a label and merchandise operation and released his first full-length, Project X, in 2015. Black Smurf, an East Memphis fixture from the same circle and a frequent $uicideboy$ collaborator, leads “King Smurf” (2014) and “All I Know” (2022).

    Other Information

    Earnings Note. The Earnings by Period chart below reflects royalty payments based on two distinct statement sets from different payors. The Last 12 Months include:

    BMI Statements: 2Q-2025 through 1Q-2026 (Quarterly)
    AdminMp Statements: 3Q-2025 through 2Q-2026 (Quarterly)

     

    Financials

    Royalty Payors


    Earnings By Period

    Quarterly, as statements report

    • Domestic
    • International
    • Unreported
    • Net

    Note: The earnings reported above reflect royalties as they have been reported from the multiple payors included in this listing. If one of the payors has not yet paid for a reported period it will not be reflected above. Please see “Other Information” for details.

    Note: BMI earnings are reported for the period in which they were earned, not for the period they are paid.

    Note: BMI’s Q2-2020 distribution includes non-recurring settlement payments from the Radio Music Licensing Committee (RMLC). The settlement represents a rate increase for radio performances in years 2017-2019. You can view the amount of the settlement in the Raw Data file under the “raw_music_user” column with the label: “RMLC2017 STLMNT”, “RMLC2018 STLMNT” and “RMLC2019 STLMNT.”

    Year20222023202420252026*
    Earnings$8,266$6,718$6,996$6,821$2,662

    * 2026 earnings have not been paid for the entire year.


    Works

    Crunch Time (2013) earned $3,014 over the last 12 months, 44% of the catalog, up 26% on the prior year. The Chris Travis single first spread on SoundCloud, has passed 26 million Spotify streams, and its annual earnings have climbed from $2,608 in 2023 to $2,886 in 2025.

    Keep My Coo (2014) earned $2,216, 32% of the catalog. With more than 52 million Spotify streams and about 12,600 new streams a day, the Lil Peep record has held between $2,300 and $2,640 a year since 2023.

    Peace or Pieces (2014) earned $354, 5% of the catalog, double its prior 12 months. The Xavier Wulf and Black Smurf track's growth is led by YouTube.

    9K Freestyle (2013) earned $299, 4% of the catalog, up 15% on the prior year. The Chris Travis track has 9.7 million plays on SoundCloud.

    DND (2022) earned $211, 3% of the catalog. Ann Marie's collaboration with G Herbo is softening about 20% as it moves past its first years and settles into steady streaming income.

    WorksEarningsShare
    Crunch Time$3,01444%
    Keep My Coo$2,21632%
    Peace Or Pieces$3545%
    9k Freestyle$2994%
    Dnd$2113%
    Other$76611%

    Income Types

    Mechanical (51% of LTM) earned $3,505, up 3% on the prior year. These royalties are paid each time the songs are streamed or downloaded and are collected through the catalog's publishing administrator.

    Performance (47% of LTM) earned $3,234, up 8%. This combines BMI songwriter royalties with the publisher share of BMI performance income, both driven by streaming.
     

    Income TypesEarningsShare
    Mechanical$3,50651%
    Performance$3,23447%
    Streaming Synchronization$1202%

    Sources

    Streaming (79% of LTM) earned $5,418, up 7% on the prior year. It covers both the mechanical and songwriter performance royalties paid on streams, the core of the catalog for more than a decade.

    Public Performance (19% of LTM) earned $1,315, up 12%. This is the publisher share of performance income collected from BMI.
     

    SourcesEarningsShare
    Streaming$4,95772%
    Music Rights Org$1,77626%
    Music Publisher$1011%
    TV and Film$40%
    Live Performance$40%
    Other$170%

    Users

    Spotify (31% of LTM) is the largest single service at $2,110, home to the nearly 79 million combined streams on Crunch Time and Keep My Coo.

    Apple Music (20% of LTM) paid $1,366, the second largest service.

    YouTube (12% of LTM) paid $800 and is the main source of Peace or Pieces's recent growth.

    SoundCloud (6% of LTM) paid $431, still earning on the platform where these songs first broke.
     

    UsersEarningsShare
    Spotify$2,11031%
    Apple Music$1,36620%
    Bmi$1,30419%
    Youtube$80012%
    Soundcloud$4316%
    Other$84912%

    * Historic royalty income does not guarantee future royalty income. Future royalty income depends upon future sales and licensing revenue generated by the intellectual property associated with this listing. All earnings analysis and investment decisions are investors’ sole responsibility per Royalty Exchange’s Terms of Use.

    Media

    Included Works

    Work TitleWork IDAlternate ID
    9K FREESTYLE251161436847, 16478
    All I Know797725116142
    BITCH I M KENSHIN TRAVIS2511615710736
    Buku2921549652490
    Crunch Time1074025116161
    Crunchtime Remix1789927323488
    DND6318057457123
    Fabio1074325116164
    Keep My Coo3493239961560
    KING SMURF1229625667661